Learning Curve for New Sotheby's Asia CEO

An article today from Agence France-Presse, quoting Kevin Ching, incoming CEO of Sotheby's Asia, contained so many puzzling "did he really say that?" moments that we can only hope it's the reporter, not Ching, who was confused.

First head-scratcher:

Kevin Ching says one of his aims as the newly-appointed chairman of Sotheby's in Asia is to see the first Asian bid for a European Impressionist piece.

This might come as a shock to the Japanese.

Second head-scratcher, presented as a direct quote from Ching:

In the contemporary market, the majority of buyers are western, not Chinese....Much of modern Chinese art employs the sort of communist imagery and Cultural Revolution imagery that western buyers are fascinated by but I think Chinese buyers find commonplace.

This might well come as a shock to Sotheby's itself, which reported that an overwhelming majority, 76%, of buyers for its record-breaking Apr. 7 contemporary Chinese art sale in Hong Kong were Asian, not western. And the majority of buyers were Chinese: 28.7% from Hong Kong; 26.3% from Taiwan, 12% from the People's Republic of China. What's more, the underbidder for Xu Beihong's "Put Down Your Whip," which at $9.2 million set an auction record for any Chinese painting, was also Chinese---a Shanghai-based art dealer and collector, Hua Yuzhou, who bid for the painting on behalf of another Chinese buyer, according to a report by Le-Min Lim of Bloomberg. (The winning bidder was anonymous.)

Third head-scratcher, again presented as a direct quote from Ching:

As Chinese people have become richer I think they have taken to associating themselves with China's powerful past, so they buy up the artifacts of the imperial periods. I wouldn't say this is the overriding reason they buy---they buy mostly as investments---but it is certainly in the back of their minds.

This may or may not be true, but it's impolitic, at best, for the new guy on the Asian art block to say that Chinese buyers are in it not for the love but mostly for the money.

Ching is new to the art trade: He came to Sotheby's in July from Dickson Concepts (International) Limited, a Hong Kong-based luxury goods group. He assumes his CEO post at Sotheby's Asia this month. The staff e-mail last May announcing his arrival said he would "be learning our business."

Maybe he's still learning.

April 10, 2007 5:14 PM | |

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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.

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This page contains a single entry by CultureGrrl published on April 10, 2007 5:14 PM.

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