CultureGrrl in Academia: You Get What You Need

I didn't get what I wanted: I had applied for an available faculty position in the arts journalism program at my alma mater, the Columbia University Graduate School of Journalism, and got rejected Monday. They have a "don't ask, don't tell" policy about the reasons behind their decisions, but I suspect my lack of university teaching experience didn't help me.

I put that behind me, as best I could, and prepared for my university teaching debut the very next day at Seton Hall, South Orange, NJ. Out of the blue, two months ago, Steven Miller, an adjunct faculty member and executive director of the Morris Museum, Morristown, NJ, had asked me to be a "surprise guest" at his seminar in the Graduate School Program in Museum Professions. He assured me that his class would be "very excited" when they discovered that their mystery visitor was CultureGrrl.

More than a little dubious, I walked in, sat down at the desk in front of the room, and saw that the class was uniformly nonplussed. They were expecting Philippe de Montebello, maybe?

Then Miller announced, "Our guest speaker today is CultureGrrl." Everyone's face instantly lit up and I was engulfed in a gush of warm welcome. I guess I don't look like that picture of me in the right column, relaxed and windswept in Colorado.

For my topic I chose "Whose Collection Is It?" as a springboard for examining a succession of hot-button, thorny issues in collections management---responsibilities of trustees and staff, donor restrictions, fractional gifts, copyright, moral rights, claims by victims of theft (including Nazi vicitims and heirs), antiquities claims by source countries, the State Attorneys General's actions (and lack thereof) in protecting the public patrimony.

I was startled and impressed with the students' breadth of knowledge (including some rather technical legal concepts) and the insightfulness of their questions and comments. Who needs the Ivy League?

Afterwards, when the students took a break before their next discussion, I asked how I could improve CultureGrrl, figuring they know more about the online world than I do. The consensus was that my blog needed more interactivity.

Point taken: I have always welcomed comments sent by e-mail, some of which I post as BlogBacks. I now plan to add a permanent call for e-mailed comments in my righthand column. I hope to append a wider variety of reader responses than I have previously published, which you will be able to access by clicking a link at the bottom of the relevant post.

The students said I have a "classy blog," and I hope for some classy comments. Theirs was a classy class, and as an empty nester, I reveled in the too infrequent chance to have quality time with an enthusiastic (and even admiring) group of young people.

On Monday, I didn't get what I want. On Tuesday, I got what I need.

April 18, 2007 12:34 PM | | Comments (0)

Categories:

Leave a comment

Me Elsewhere

Highlights from my writings and broadcasts: 


MY BOOK
The Complete Guide to Collecting Art (Knopf)

IN THE MAINSTREAM MEDIA
NY TIMES OP-EDS:
For Sale: Our Permanent Collection (museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
Extreme Makeover: Smithsonian Edition (American Art and Portrait Gallery renovation)
This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
A Betrayal of Trust (NY Public Library's art sales)
The Lost Museum (MoMA's art sales)
Endangered Species (single-collector jewel-box museums)
Money in Motion (the Guggenheim's finances)
The Fine Art of Genocide? (appraisals of Hitler's art)

LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

ART IN AMERICA:
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

NATIONAL PUBLIC RADIO:
Criticism of AAM's Cultural Diplomacy Initiative

NEW YORK PUBLIC RADIO:
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on the Art Market

PHILADELPHIA PUBLIC RADIO:
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

BBC-TV:
Impressionist/Modern Auction at Sotheby's

more of me elsewhere

Blogroll

About this Entry

This page contains a single entry by CultureGrrl published on April 18, 2007 12:34 PM.

Art Law Blog: "Friends" Groups Do Push the Legal Envelope was the previous entry in this blog.

Humanizing MoMA's Atrium: The Next Attempt is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads



AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
diacritical
Douglas McLennan's blog
Flyover
Art from the American Outback
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
On the Record
Exploring Orchestras w/ Henry Fogel
PostClassic
Kyle Gann on music after the fact
Rifftides
Doug Ramsey on Jazz and other matters...
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

visual
Aesthetic Grounds
Public Art, Public Space
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.