Jefferson University Plans to Sell Its Other Two Eakinses
The other shoe has just dropped: Robert L. Barchi, president of Thomas Jefferson University, told the Philadelphia Inquirer that the medical school intends to sell the two remaining Eakins paintings in its collection: "Portrait of Benjamin H. Rand" and "Portrait of William S. Forbes."
Peter Dobrin reports that Barchi issued this statement:
We do not intend to sell any of our artworks other than the Eakins paintings, even if approached. While the mission of Thomas Jefferson University as an academic health center does not include the acquisition or display of artworks, we will continue to honor our tradition of commissioning portraits of Jefferson's distinguished faculty and maintain our current artworks.
They''ll "honor their tradition," except in the case of their most pricey masterpieces. This time, if anyone comes to the rescue, it should be those most concerned about honoring tradtion: incensed alums of the university, some of whom were vocal in their distress over the "Gross Clinic" sale. Failing that, local museums should be given a more realistic time frame to come up with an offer: a minimum of 90 days.
Philadelphia museums just can't keep competing (as they tried to do with The Gross Clinic) with market levels set by the likes of Alice Walton and other money-no-object collectors.
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CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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