How to Manage the Press: Don't!
Having just returned from two days of panel discussions by artworld lawyers and museum administrators, I am amazed by how fixated some are on "managing" the press.
So, here's my advice: The best way to manage the press is not to manage us. I can't speak for my colleagues, but I usually know the difference between someone trying to spin me and someone trying to inform me. If I sense that you're "managing" me, you've aroused my suspicion, not my trust.
I like the Harold Holzer Rule, described yesterday at a three-day conference on Legal Issues in Museum Administration, organized by the American Law Institute of the American Bar Assocation. Sharon Cott, the Metropolitan Museum's senior vice president, secretary and general counsel, confided during a session on "The Lawyer's Role on Crisis Management" that the cardinal rule promulgated by the Met's senior vice president for external affairs is:
Tell me everything.
As I've said before, if someone is assigned the role of public spokesman, he must be kept in the loop so that he can usefully and adequately perform that function. If he only tells part of the story, because that's all he knows, we curious creatures are likely to dig in other places for more. Partial truths usually backfire. And when the full truth emerges, the museum looks like it was hiding something.
So here's the Rosenbaum Corollary to the Holzer Rule:
Tell ME everything.
We all know that rules have exceptions: Sharon confessed that she didn't really tell Harold everything, partly because some of the information (regarding the Met's antiquities negotiations, the subject of her talk) was "legally privileged." Similarly, some information cannot be divulged to reporters because of legitimate confidentiality concerns.
That said, the presumption should be disclosure and transparency, with explanations when something must be kept secret. After all, as Max Anderson, director of the Indianapolis Museum recently said, "We're not making weapons here. It's not like we've got that much to hide."
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Photo © by Jill Krementz
CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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