What Are the 25 Most Important Paintings Owned Privately in Britain?
A list of works said to be Great Britain's 25 most important paintings in private hands has been published by today's Daily Telegraph of London. This masterpiece roster has been compiled in connection with a campaign by Lord Howarth, a former arts minister, to get the British government "to revive its secret Paramount List--a list of works of art so important the Government would step in to buy them for public collections if they ever came on the market."
Owned, for the most part, by dukes, earls and lords, the 25 works include Rembrandts, Van Dycks, Poussins and Canalettos, among others. One painting, Leonardo's "Madonna of the Yarnwinder," was stolen and is still missing.
Nigel Reynolds reports:
Lord Howarth told The Daily Telegraph he wanted to protect objects of "supreme importance" as a matter of urgency. Experts should prepare a small national inventory of no more than 15 paintings and a small handful of sculptures and pieces of furniture that the Treasury would guarantee to buy for the nation at market prices.
In parallel, the latest edition of Apollo, the specialist art history magazine, will publish a list tomorrow of what it considers the 25 most important Old Masters in private ownership in the country.
When it comes to patrimony patriotism, what's good for the Greeks and Romans is good for the Anglo-Saxons, it seems.
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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