Museum Insurance Rates Soar in a Post-Katrina World

California art museums are seeing exhibition-threatening surges in insurance premiums, according to the Jan. 12 San Francisco Business Times.

Sarah Duxbury
reports:

Post-Katrina, California is considered a catastrophic zone, and its fine art museums are seeing insurance increases between 40 percent and 300 percent owing to the need to insure against earthquakes. The wide range reflects the value of the special exhibits and loans a museum has at a given time. Such increases will affect California museums' abilities to borrow works from other U.S. museums and collectors....

The first to suffer will be SFMOMA [San Francisco Museum of Modern Art] in February, when two high-profile exhibits going on display will cost an unexpected fortune to insure. One of them, "Brice Marden," which comes from the Museum of Modern Art in New York, will cost more than $1 million to insure, sending SFMOMA scrambling to cover the budget shortfall....

Recognizing the threat of surging insurance costs, [Neal] Benezra [director of SFMOMA], [John] Buchanan [director of the Fine Arts Museums of San Francisco] and [Emily] Sano [director of Asian Art Museum in San Francisco] have joined colleagues from the Getty, L.A. County Museum and Museum of Contemporary Art in Los Angeles to plead their case at the annual meeting of the Association of Art Museum Directors at the end of this month.

Insurance is supposed to protect people in disasters. Then, after a specific disaster occurs, future coverage becomes much more costly and elusive for everyone. Museums saw this after the terrorist attacks of 9/11; they're seeing it again now. The result may be that museums will have to rely more on exhibitions from their permanent collections---not because they want to, but because they have to.

January 15, 2007 12:05 PM | | Comments (0)

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Me Elsewhere

Highlights from my writings and broadcasts: 


MY BOOK
The Complete Guide to Collecting Art (Knopf)

IN THE MAINSTREAM MEDIA
NY TIMES OP-EDS:
For Sale: Our Permanent Collection (museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
Extreme Makeover: Smithsonian Edition (American Art and Portrait Gallery renovation)
This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
A Betrayal of Trust (NY Public Library's art sales)
The Lost Museum (MoMA's art sales)
Endangered Species (single-collector jewel-box museums)
Money in Motion (the Guggenheim's finances)
The Fine Art of Genocide? (appraisals of Hitler's art)

LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

ART IN AMERICA:
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

NATIONAL PUBLIC RADIO:
Criticism of AAM's Cultural Diplomacy Initiative

NEW YORK PUBLIC RADIO:
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on the Art Market

PHILADELPHIA PUBLIC RADIO:
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

BBC-TV:
Impressionist/Modern Auction at Sotheby's

more of me elsewhere

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About this Entry

This page contains a single entry by CultureGrrl published on January 15, 2007 12:05 PM.

And the Number One U.S. Doctoral Program in Art History Is... was the previous entry in this blog.

Hammering the Hammer: 12-Year-Old Leonardo Disposal Still Pays Museum's Bills is the next entry in this blog.

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