Robert Rosenblum's Last Quip; Klimt Story's Last Retelling
There are probably others, but here's a good example of the late wit and wisdom of curator/scholar Robert Rosenblum, quoted in a very interesting, detailed Klimt post mortem by Eileen Kinsella in January's ARTnews (not yet online):
I myself love Klimt up to a point, but it's like going to a Viennese bakery.
Talking to Rosenblum was like Viennese pastry: sinfully delicious.
With the help of ample time to flesh out her late-breaking account, Kinsella gives an incisive rendering of the dance between Adele I purchaser Ronald Lauder ("It took about three seconds") and the attorneys for the Bloch-Bauer heirs ("There were several weeks of discussions"). Attorney Steve Thomas not only exhaustively contradicts Lauder's version of events, but also fills in some of the details about serious competing offers.
This, coupled with Tyler Green's much earlier Fortune magazine account, gives us a good look at the art of the megabucks art deal.
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CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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