Department of Dubious Auction Records
I supposed this could be a continuing series. The latest entrant in far-fetched categories for auction records is the "world record for a dress made for a film"---the "iconic Givenchy gown made for Andrey Hepburn in the 1961 film, 'Breakfast at Tiffany's,'" selling yesterday for $887,680 at Christie's, London.
If we create sufficiently narrow categories (Abstract Expressionist with a blue daub in the upper righthand corner), we could have new auction records every day. The funniest one I remember, from my very early days covering auctions in the 1970s, was the "world record for a chastity belt." (Who knows? That record may still stand.)
Speaking of which, do we yet have a new auction record for a bra---namely, Madonna's conical bra from the 1990 "Blonde Ambition Tour"? For a while, that Jean-Paul Gaultier design seemed to be featured in every other exhibition mounted by the Metropolitan Museum's Costume Institute. Another example of this iconic undergarment (worn as an outer garment) was to be offered at the four-part sale of the Dick Clark Collection of Rock & Roll, held yesterday and today in New York by Guernsey's auction house.
This seems to be my day to write about bras. Maybe I should glance up at my masthead, to remind myself of what this blog is supposed to be about.
Maybe I'm just bummed because you and Tyler are now ogling the 12 ficus trees "trimmed to...resemble a woman's breast" at Art Basel Miami Beach. And I'm not.
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CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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