BlogBack: Max Anderson on the Getty and Its Fleischman Collection

Maxwell Anderson, director of the Indianapolis Museum, responds to CultureGrrl's previous post, identifying him as "a key advisor to Barbara and Lawrence Fleischman, whose extensive collection of ancient art was later given to the Getty":

While serving as a curator in the Metropolitan Museum's Greek and Roman Department until 1987, I actively encouraged the Fleischmans to donate their collection to the Met (certainly not to the Getty!). Even after leaving the Met to become a museum director, I wrote entries for the touring exhibition of their collection, believing then as now that objects lacking provenance are no less deserving of being published.

But I also believe it's important to distinguish between past practices, which were inadequately rigorous in pursuing provenance, and improved current practices, which the Getty was instrumental in fostering (even if, admittedly, after acquiring the bulk of the Fleischman collection, most of which was unprovenanced).

Leading U.S. museums once made a distinction between antiquities already in private collections and antiquities bought directly from the trade. That distinction has, over the last few years, become viewed by many of us as arbitrary, and a growing number of art museum professionals today believe that a bright line must be drawn when considering acquisitions from any source, so as not to unintentionally foster looting or the illicit trade.

November 24, 2006 5:34 PM | | Comments (0)

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Me Elsewhere

Highlights from my writings and broadcasts: 


MY BOOK
The Complete Guide to Collecting Art (Knopf)

IN THE MAINSTREAM MEDIA
NY TIMES OP-EDS:
For Sale: Our Permanent Collection (museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
Extreme Makeover: Smithsonian Edition (American Art and Portrait Gallery renovation)
This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
A Betrayal of Trust (NY Public Library's art sales)
The Lost Museum (MoMA's art sales)
Endangered Species (single-collector jewel-box museums)
Money in Motion (the Guggenheim's finances)
The Fine Art of Genocide? (appraisals of Hitler's art)

LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

ART IN AMERICA:
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

NATIONAL PUBLIC RADIO:
Criticism of AAM's Cultural Diplomacy Initiative

NEW YORK PUBLIC RADIO:
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on the Art Market

PHILADELPHIA PUBLIC RADIO:
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

BBC-TV:
Impressionist/Modern Auction at Sotheby's

more of me elsewhere

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About this Entry

This page contains a single entry by CultureGrrl published on November 24, 2006 5:34 PM.

Max Anderson Defends Michael Brand was the previous entry in this blog.

Bonfire of the Real Estate Developers is the next entry in this blog.

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