The Contemporary World According to Gary Tinterow

Here's something we've got to see: Gary Tinterow speaks on Oct. 24 about his curatorial activities, as part of the ArtTalks lecture series of the American Federation of Arts in New York. Billed as "the Engelhard Curator in Charge of the Department of Nineteenth-Century, Modern, and Contemporary Art at the Metropolitan Museum of Art" (a title long enough to exhaust half the time allotted for the lecture), Tinterow will discuss "the history of the Metropolitan's involvement with contemporary art---its strengths and weaknesses---as well as the creation of the Department of Nineteenth-Century, Modern, and Contemporary Art" (another mouthful).

Although I got a press release announcing this event, there does not (at this writing) appear to be any information on AFA's website. But I got my ticket (and you can get yours) by calling: 212-988-7700, ext. 10. (Alert: There are only 80 seats in this venue.)

What CultureGrrl urgently wants to know is: Has Gary adopted Philippe's 50-year gestation rule for contemporary acquisitions, and is he going to deaccession everything created since 1956, because, after all, curators have the right to do such things?

Come to think of it, since I've already antagonized him, I think I'll come in disguise. Where's Cindy Sherman when I really need her?

October 4, 2006 10:23 AM | | Comments (0)

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Me Elsewhere

Highlights from my writings and broadcasts: 


MY BOOK
The Complete Guide to Collecting Art (Knopf)

IN THE MAINSTREAM MEDIA
NY TIMES OP-EDS:
For Sale: Our Permanent Collection (museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
Extreme Makeover: Smithsonian Edition (American Art and Portrait Gallery renovation)
This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
A Betrayal of Trust (NY Public Library's art sales)
The Lost Museum (MoMA's art sales)
Endangered Species (single-collector jewel-box museums)
Money in Motion (the Guggenheim's finances)
The Fine Art of Genocide? (appraisals of Hitler's art)

LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

ART IN AMERICA:
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

NATIONAL PUBLIC RADIO:
Criticism of AAM's Cultural Diplomacy Initiative

NEW YORK PUBLIC RADIO:
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on the Art Market

PHILADELPHIA PUBLIC RADIO:
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

BBC-TV:
Impressionist/Modern Auction at Sotheby's

more of me elsewhere

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About this Entry

This page contains a single entry by CultureGrrl published on October 4, 2006 10:23 AM.

Speaking of Corrections... was the previous entry in this blog.

The Getty Report: Clean Sweep or Whitewash? is the next entry in this blog.

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