The Times Got it Right
...in 1961. One of the most fascinating artifacts in the Bob Dylan show that opened today at the Morgan Library and Museum was this article from the NY Times, which exactly 45 years ago today reviewed the little-known 20-year-old's set at Gerde's Folk City and essentially launched Dylan's career. The article caught the attention of John Hammond of Columbia Records. The rest is history.
Dylan's unsung hero, Times writer Robert Shelton, called him "a bright new face" and captured a good likeness of the singer/songwriter we all came to know:
Mr. Dylan's voice is anything but pretty. He is consciously trying to recapture the rude beauty of a Southern fieldhand musing in melody on the porch. All the "husk and bark" are left on his notes and a searing intensity pervades his songs....
Mr. Dylan's highly personalized approach toward folk song is still evolving. He has been sopping up influences like a sponge....If not for every taste, his music-making has the mark of originality and inspiration, all the more noteworthy for his youth.
COMING SOON: More on Dylan at the Morgan.
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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