Deaccession Disclosures (or Not)
Apparently Jen Graves still can't get anything she wants at Mimi Gates' Restaurant. Graves, a writer for The Stranger, Seattle's alternative weekly, triumphantly reported last week that the director of the Seattle Art Museum had acceded to her CultureGrrl-inspired request to "make public the artworks it plans to sell before they go to auction."
But now, Graves reports, that is not to be:
SAM director Gates will not, in fact, allow the works waiting to be shipped to auction houses to become public knowledge. Only works that have already been sold can be reported publicly.
Jen, you don't have to take this, nor must you necessarily peruse the catalogues of every upcoming auction to get presale information: Last week, I did a search for works recently sold or about to be sold by the Metropolitan Museum in auction databases available free to the public at the Frick Art Reference Library. A cheerful librarian directed me to the databases that had the most user-friendly search results for identities of sellers.
The Met, unlike most museums, does annually publish a list of works (but not their individual prices) sold for more than $50,000, but its press office would not provide me an update on works sold since the most recent annual report, covering fiscal 2005 .
Here are three of the higher-priced recently sold items that I found through my database search. The last was sold by the Met just a week ago. Prices include the buyer's commission:
Benjamin West, "Portrait of Peter Beckford," Sotheby's London, Nov. 24, 2005: $76,364
Benjamin West and John Trumbull, "The Battle of La Hogue," Sotheby's New York, Jan. 26, 2006: $632,000
A pair of 18th or 19th-century Chinese square-corner cabinets and hat chests, Christie's New York, Sept. 19, 2006: $36,000
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CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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