BlogBack: The Clark on the Barnes

Mark Ledbury, associate director of the Clark Art Institute, Williamstown, Mass., replies to Clark Bars the Barnes?:

We here at the Clark always read your blog with great interest. However, in respect of your Sept. 11 post, "Clark Bars the Barnes," I feel that a short response might be in order.

Please let us reassure you there was no intention to bar the Barnes, devalue the special nature of their collection, or even not to talk about them. Institutional relationships between the Clark and the Barnes are excellent. Moreover, papers at our symposium which are "synthetic" like Dario Gamboni's or Anne Higonnet's, will no doubt discuss the Barnes. And the ample time for discussion will allow the Barnes to emerge as a talking point if that is where conversation takes us.

Other collection museums, like the Menil, the Cognacq-Jay, the Jacquemart-André, etc., etc., could also have been discussed, and probably will be, but organizers of such events must always make choices. I should point out that our symposium, entitled as it is, "Private Realm and Public Space: The Collector's Museum in the Twenty-first Century," focuses on those collections that have become full public museums. One of the distinctions the Barnes always likes to make about itself is that it is an institution dedicated to education and appreciation of art, and not, in a strict sense, a museum. They scrupulously avoid using the word "museum" in all their literature.

Thus they aren't quite in the same category as the Gardner or the Wallace or the Clark, even though the Barnes Collection is clearly one of the most important of its type anywhere in the world and in many respects it is utterly unique as an institution. We hope that by inviting curators from two of the most famous collector's museums (the Wallace and the Gardner) and the director of a "new model" of collector's museum (Schaulager) to provide enough concrete examples to anchor a wider discussion of the genre and its variants.

September 13, 2006 1:34 PM | | Comments (0) |

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LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I've been a regular cultural contributor on New York Public Radio (WNYC). I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and the annual conference of the Museum Association of New York, and on museum governance and cultural property issues at Seton Hall University. more

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Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
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The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

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The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
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This Museum's Expansion is Simply Effective (Minneapolis Institute)
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Whitney Museum's Expansion
Fake Coptic Art at Brooklyn Museum
Spring '08 Art Auctions
Should Veterans or Newcomers Lead Arts Organizations?
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Philippe de Montebello's Retirement
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Glenn Lowry's Unorthodox Compensation Package
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Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

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This page contains a single entry by CultureGrrl published on September 13, 2006 1:34 PM.

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