The Iconic Inside Job, Continued
I hope readers have noticed that CultureGrrl has been out ahead of other news outlets on the Hermitage theft story. But I was "behind" those who said unequivocally that the icon found in the trash yesterday was one of the Russian museum's stolen objects. This statement today from the Hermitage tells you why:
In the course of investigative and field operations surrounding the criminal theft of exhibits [objects] from the State Hermitage, on 3 August 2006 an icon of the Assembly of All Saints was discovered which is similar to the one which disappeared from the museum. Final conclusions will be made after art and jewelry experts complete their examination.
The State Hermitage asks all art collectors, antiques dealers and lovers of Russia's past to assist in the search and to return to the museum art works that are listed and illustrated on the site of the State Hermitage.
The list of the 221 stolen objects has now been posted on the museum's website in English, but as far as I can see, they are NOT, as the above statement avers, "illustrated on the site of the State Hermitage." It's hard to know what objects to look for if you don't know what they look like.
If "final conclusions" show that the discarded icon is indeed one of the missing works, and if the anonymous caller was telling the truth yesterday when he told police that he had purchased the work a few years ago, then what dealer Peter Schaffer said to me yesterday---that some of the stolen works may already have gone on the market---looks to be true, and the Hermitage's recovery job looks to be that much more formidable.
One thing's for sure: The Hermitage needs to get the information about these works, including their photographs, out to the art community immediately, so that everyone can be on the lookout and so that galleries and auction houses that may already have seen these works can provide the Russian authorities with needed leads.
And museums everywhere, even those with better security, need to regard this giant inside job as a loud wake-up call.
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CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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