Simon Singes Synge
CultureGrrl occasionally strays to other art forms. (After all, I'm not merely ArtGirl, though I kinda like her site!)
I feel moved to note the complete disconnect between two reviews of the same theatrical event---Lincoln Center Festival's DruidSynge---a marathon 8 1/2 hours of the six-play theatrical oeuvre of Irish playwright John Millington Synge.
Here's the acerbic John Simon, in today's Bloomberg:
The brogue used is so thick it could blunt any knife trying to cut it, and left most of the audience chasing after comprehensible words like sparrows after sparse crumbs. The poor acoustics at John Jay College's theater made things tougher yet. Of the 19 actors, maybe three or four belong on a metropolitan stage....Garry Hynes, the Druid's artistic director, is not really major league despite her lofty reputation at home and abroad. She gets the job done, but without that inconspicuously convincing extra touch that marks the true master.
Most important, poor, tubercular Synge, dying at age 37, did not grow into a significant dramatist.
And here's the ecstatic Charles Isherwood, two days ago in the NY Times:
Grandly entertaining and powerfully moving, "DruidSynge" is a major achievement for Ms. Hynes, her design collaborators and her superb 19-member acting company. Ranging across wide emotional territory without missing a beat, it brings alive a milieu that feels both intriguingly remote and utterly intimate, exotic in the eccentric syntax and unruly lyricism of its earthy dialogue -- God bless the Irish! -- but familiar in its consoling knowledge of the loneliness and despair that are the sorrowful scars of all humankind.Interestingly, Simon (or his editors?) mercifully withdrew a slap at veteran actress Marie Mullen that appeared in an earlier posting of his review (which I saw). Isherwood called her "great and glorious."
In today's Wall Street Journal, Terry Teachout comes down somewhere in between. (You'll have to scroll down a couple of items on his blog's July 14 entries to get to Synge.)
Who would you trust, in deciding what to do with 8 1/2 idle hours on a summer's day? (As for me, I'm going to Broadway to see Sarah Jones this weekend!)
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CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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