AAMD: A Toothless Watchdog
The Association of Art Museum Directors has quietly posted a new position position paper on its website: Good Governance and Non-Profit Integrity.
It appears to be a response to widespread concern over problematic practices such as those thought to have led to the Feb. 9 forced resignation of Barry Munitz from the presidency of the J. Paul Getty Trust. Munitz resigned while being investigated by the California attorney general's office for possible improper use of the Getty's funds and for a questionable 2002 real estate deal between the Getty and arts patron-collector Eli Broad, a Munitz friend.
Here are some excerpts from AAMD's embarrassingly lame response to urgent questions about museums' governance and integrity:
Sound judgment and an unwavering commitment to the essential principles of art museums are fundamental characteristics demanded of every board member.As museums and the contexts in which they operate become increasingly complex, it is ever more imperative that museum leaders on the Board and staff continue to address all...pressing matters of governance and integrity with frankness and transparency.
Every AAMD member institution is encouraged to create and review regularly its policy in such areas as:
• Collections Management;
• Personnel;
• Ethics;
• Finance and Investment.The mission of all art museums is to serve the public through art and education. Fulfillment of this mission is the primary goal of every AAMD member and the touchstone by which all decisions are made concerning museum programs and operations.
Museum directors are responsible to their trustees, staff, donors and community for ensuring that museums meet the highest standards of professional and ethical integrity.
Who could argue? And who could derive any meaningful guidance from this? Perhaps there should, intead, have been a detailed list of what museums and their boards should NOT do---"worst" practices, instead of best practices. But this membership organization rarely says anything that might tie the hands of its membership.
These three pages of laughably vague pronouncements will do nothing to assure government regulators or the public that museums and their boards can be counted upon to be rigorously self-policing. It's time for AAMD to reexamine its own mission, and decide whether it's going to be more than a purveyor of platitudes.
Coming Next: Why the Getty should have known from the start that Munitz could be trouble.
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CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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