I heard a wonderful concert by The Cleveland Orchestra a few weeks ago. Soloist Richard Goode performed Beethoven's Third Piano Concerto on a program that included Carl Maria von Weber's Overture to Der Freischütz and Rachmaninoff's Second Symphony. Goode was eloquent in the Beethoven, and the orchestra played nuance upon nuance to help create an unforgettable accompaniment. Ivan Fischer conducted, although that hardly seems an adequate term. It might be better to say he prodded, seduced, led and inspired the orchestra - first to remind all … [Read more...]
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nancy dotterer field on Masur on Beethoven
Have been making notes, on his comments also....and yes, the "magic" and the soul which Masur helps musicians and conductors find...often...Trudy Miller on “Must See” Streaming Internet
Thank you for sharing some of Mr. Mann's comments. The beauty and truth in what he says transcends his medium:...Marly Harris on Public Concert, Private Music
I'm late to the party but this essay moved me profoundly.Barry Johnstone. on Field Trip!
Thank you for posting this MOST important article. The last five sentences sum it up for me!Claudia cutler on Field Trip!
Thank you for posting this. I am a dance teacher who helped form - with great music, dance and drama...Gene on Penny for your thoughts
Thank you for a great idea! We're going to try this at our chamber music festival next June. ...Stephen Soderberg on What are we doing here?
A wonderful project & a beautiful post!John Thomas Dodson on Discovering the Baroque Above a Torture Chamber
We did check into that. We spoke to several people well versed in history and in the archives here. It...MWnyc on Discovering the Baroque Above a Torture Chamber
Sounds like a wonderful project! Any thoughts of reviving any sacred music from the colonial period that may have survived in...Justin Saragoza on A moment of attention is enough
What struck me in your post, and it was a bit unclear to me (just me maybe), is wondering if...