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Hans Werner Henze: The Last Interview?

Months before his death, he reached back 50 years in his mind to talk about his "odd, old Elegy."

Bard SummerScape’s latest operatic resurrection: Dvorak takes Boris Godunov many steps further

Dmitrij is an opera that keeps growing before your very ears. And growing. And growing, until you have some of the most dramatically apt music Dvorak ever wrote for the stage. But about the time the plot strands need to be tied up - as they are in a matter of minutes of Verdi's Otello - Dvorak hits a stride that won't stop: The final act is around 90 minutes long. Walking into the opera on Friday at Bard College's SummerScape in Annandale on-Hudson, I knew there would be some forgiving to do and warned my friends that the first act is … [Read more...]

Janacek’s Vixen is re-thought and hunted down in the backstreets of London

The title, simply, is Vixen. It's not The Cunning Little Vixen or Russ Meyer's Vixen, though it was closer to the former than the latter. And true to the foxiness of the title, you had to hunt it down. Ostensibly an adaptation of the Janacek opera, Vixen was presented by a company called Silent Opera in conjunction with the English National Opera, and in a site nowhere near the ENO headquarters at the London Coliseum. The venue was something called The Vaults, tucked away behind Waterloo Station off Lower Marsh Street, with near-daily … [Read more...]

The Met’s new Rosenkavalier: Hello Robert Carsen, goodbye (maybe) to Renee Fleming

Operavore, WQXR www.wqxr.org/#!/story/review-richard-strauss-der-rosenkavalier-met-opera/ Review: Richard Strauss' 'Der Rosenkavalier' at The Met Opera Friday, April 14, 2017 - 03:00 PM By David Patrick Stearns So personal is the relationship between Richard Strauss' Der Rosenkavalier and its admirers that the arrival of a new production at the Metropolitan Opera is like having your living room redecorated. It has to happen every so often but disrupts your inner and outer world — while leaving you wondering what aspects of the … [Read more...]

Days of tension, anger and (thank God) New York Polyphony

Post-inauguration Saturday wasn't the easiest time to be in New York City. Whatever side you were on politically, the streets in much of mid-town were closed off. Police were everywhere. Cars seemed not to know where to go or what to do. I even saw a cab driving with its passenger door yawning open. The one way across 42nd Street was the Park Avenue overpass; looking down from it onto the street, I saw an ocean of protesters unlike anything I'd imagined. They were peaceful, but who knew that at the time? That night, just feet from an … [Read more...]

The devastating debut of 4:48 Psychosis (the opera) stands high in 2016’s best

LONDON - The guy behind the ticket counter at the Lyric Hammersmith Theatre checked out my Brooklyn zip code and asked "Did you come over for this?"  "It was in the top three reasons." He wasn't surprised. People had been coming to the theater over the past week from as far away as Australia to see 4:48 Psychosis, probably never having never heard of the composer, Philip Venables, but couldn't stay away if only because the Sarah Kane play - with an obviously devoted cult following - were no doubt as struck as I was that this play needs … [Read more...]

Michael Hersch, 9/11, and the twin towers of light

With each 9/11 anniversary, I still don't know how to process the experience. Of course, I was glad on Sunday's 15th anniversary of 9/11 that the new World Trade Center is up and in what has become one of the most vibrant, architecturally advanced sections of Manhattan. I was happy about my photographic accident to the left, which had the emblematic twin columns of light, which appear every 9/11,  reflecting off an adjacent building in ways that made me feel somehow protected by the heavens. But the idea of airplanes crashing … [Read more...]

David Lang’s new opera The Loser may yet win

Pulitzer-winning composer David Lang has written several operas so far, none of them in the least bit conventional, and all of them showing how much the ultra-minimalist Bang on a Can aesthetic can be fascinatingly at odds with an art form that's traditionally grand. His latest is The Loser, which was unveiled Wednesday at the Brooklyn Academy of Music Opera House in a production whose apparatus alone guaranteed sold-out houses. Only the mezzanine in the huge auditorium was available to ticketbuyers, severely limiting the seating capacity, … [Read more...]

Bach’s Brandenburgs: Liberated by the Sebastians?

The world probably wouldn't be appreciably different had Bach's Brandenburg Concertos not been discovered sitting on some shelf, possibly unplayed and unexamined, a century or so after they were finished in 1721. J.S. Bach still would've been re-discovered. His works would be as venerated as they are now. But the Brandenburg Concertos are so singular in Bach's output, in the history of concertos or, for that matter, in western music that their impact on audiences was inevitable. But their influence on composers? Well, who else but J.S. Bach … [Read more...]

Boulez haunts the Philharmonic – with music from from his noisy youth

Pierre Boulez has been haunting the New York Philharmonic mercilessly. On Monday night at the fashionable Williamsburg, Brooklyn venue known as National Sawdust, the recently deceased composer was heard alongside the French contemporary he often hated, Olivier Messiaen, as well as younger somewhat-modernist composers such as George Benjamin and Oliver Knussen. Hosting was a Boulez champion, conductor Esa-Pekka Salonen. You wouldn't think that such an evening would be such fun. Oh, but it was. For the Philharmonic, Salonen is the … [Read more...]

David Amram at 85: Distilling his multiple personalities

He doesn't look much older than when he was 60. But he's showing his age in a way that true artists do. His 2014 piece, Greenwich Village Portraits, is one of his very best. David Amram has led multiple lives simultaneously. He's a jazz musician able to improvise an actual song on the spot, the master of many ethnic and folk musics who plays at Farm Aid concerts (and fits in), but most importantly, is a composer of classical concert music. Maybe I was too bewildered in past years to put it all together. Then I was asked to work on the … [Read more...]

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