February 2009 Archives
What is it with North Texas novelists making their debuts with really oddball thrillers?
Four years ago, Will Clarke appeared with Lord Vishnu's Love Handles. The novel combines terrorism, Dallas social satire and a Hindu apocalypse. It doesn't always work, but Lord Vishnu surely ranks as one of the stranger, more amusing entertainments by a local writer.
Now comes Brendan McNally (below) with his first novel, Germania. Germania was Adolf Hitler's name for his future world capital in Berlin. It's a terrifically ironic title because McNally's novel is about a German reich very few have ever heard of. Most histories of Nazi Germany end with the complete flameout of the final days in Berlin. They rarely handle what happened next.
A caretaker government was formed in a town called Flensburg. Its basic purpose was to hold on long enough to surrender to somebody. Instead of Hitler's Thousand-Year Reich, Flensburg was the three-week Reich.
So far, so fascinating.
Writers such as Alan Furst and Philip Kerr have uncovered these kinds of nuggets to craft superb thrillers about World War II. McNally is a former defense journalist, so the military history is a natural for him.
To give some notion of just how big the Spindletop oil
field near Beaumont, Texas, originally was: When it was tapped in 1901,
that single gusher tripled American's entire production of oil overnight.
According to author Bryan Burrough, Spindletop and what followed began one of the largest accumulations of private wealth in history.
Burrough grew up in Temple, Texas. And pretty much anyone who has been raised in Texas knows about Spindletop. So when his New York editor suggested a book on Texas oil money, Burrough writes that it took him all of 30 seconds to outline his next work. It's a lively, epic new history, The Big Rich: The Rise and Fall of the Greatest Texas Oil Fortunes.
Burrough is best known as the co-author of Barbarians at the Gates, his chronicle of the botched, multi-billion-dollar buyout of RJR Nabisco. He also wrote Public Enemies, a slam-bang history of the bank-robbing wave of the 1920s and how J. Edgar Hoover used it to boost the FBI. Together, those two volumes required Burrough to research ruthless businessmen, Washington politics, swaggering egos and hard-scrabble criminals.
Excellent preparation for writing about Texas oil.
Texas oil, Burrough says, pretty much created our modern world. Texas oil was so cheap that steamships and railroads switched from coal to diesel. Cheap oil made the auto industry possible -- and everything else that followed: freeways, suburbia, jet travel. Swimming pools, movie stars. The whole wonderful, plentiful, carbon-burning, ozone-depleting spree that has been modern life.
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AJBlogCentral | rssculture
Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
Rebuilding Gulf Culture after Katrina
Richard Kessler on arts education
Douglas McLennan's blog
Dalouge Smith advocates for the Arts
Art from the American Outback
For immediate release: the arts are marketable
No genre is the new genre
David Jays on theatre and dance
Paul Levy measures the Angles
Judith H. Dobrzynski on Culture
John Rockwell on the arts
Jan Herman - arts, media & culture with 'tude
dance
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
jazz
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Doug Ramsey on Jazz and other matters...
media
Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
classical music
Greg Sandow performs a book-in-progress
Exploring Orchestras w/ Henry Fogel
Harvey Sachs on music, and various digressions
Bruce Brubaker on all things Piano
Kyle Gann on music after the fact
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
publishing
Jerome Weeks on Books
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Wendy Rosenfield: covering drama, onstage and off
Chloe Veltman on how culture will save the world
visual
Public Art, Public Space
Regina Hackett takes her Art To Go
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Tyler Green's modern & contemporary art blog
