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About Last Night

Terry Teachout on the arts in New York City

TT: Head first

July 13, 2009 by Terry Teachout

I arrived in Santa Fe early yesterday evening, dropped my bags at the rented condo where I’ll be spending the next three weeks, called Mrs. T and my mother to let them know that I was in one piece, then went off to dinner with Paul Moravec, composer of The Letter, which opens in twelve days.

My trip began with a short working holiday: I flew to Los Angeles and spent two nights in the improbably beautiful Topanga Canyon. I saw a pair of plays at the Will Geer Theatricum Botanicum and stayed at the Tuscali Mountain Inn, an idyllic hillside retreat located a mere quarter-mile from the theater. The hosts are friendly, the food tasty, the furnishings elegant (a Picasso etching was hung next to my desk), the beds comfortable. The last of these was more important than usual: I was greatly in need of sleep, and got plenty of it.

6a00d83451c83e69e200e55373c7d28833-320wi.jpgAs for Paul, he made it to Santa Fe a week ago and has been reporting to me by phone twice daily about the rehearsals. I grew more excited each time I spoke to him. Now the wait is over. I’m here. It’s happening. Later this morning I’ll drive to the Santa Fe Opera to attend my first rehearsal. Paul has already told me what to expect: “It’s overwhelming, hearing it being performed for real. You’ll feel the same way when you get here. You’ll want to cry.” I’m sure he’s right—I’ve always been an easy weeper—but once the shock wave has rolled over me, I have no doubt that the press of work will pull me to my feet again. I doubt I’m going to have much time to feel overwhelmed by the unfamiliar sensation of seeing and hearing my words and Paul’s music sung by performers on a stage.

A year and a half ago, Paul and I attended the third New York screening of the film version of Sweeney Todd, a work that influenced us deeply in writing The Letter. As I wrote in this space at the time:

Halfway throught he film, in the brief pause between “Epiphany” and “A Little Priest,” I leaned over to Paul and whispered, “This is the mark we have to hit.” He nodded.

On the street afterward, I said, “Inspiring, huh?”

Paul grinned. “The work waits…and I’m full of joy,” he replied. Then he disappeared into the night.

That goes octuple today.

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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