{"id":720,"date":"2013-04-25T06:15:22","date_gmt":"2013-04-25T13:15:22","guid":{"rendered":"http:\/\/www.artsjournal.com\/worth\/?p=720"},"modified":"2013-04-25T06:15:22","modified_gmt":"2013-04-25T13:15:22","slug":"today-in-concession-fares","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/worth\/2013\/04\/today-in-concession-fares\/","title":{"rendered":"Today in concession fares"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/worth\/wp-content\/uploads\/2013\/04\/MTA_New_York_City_Bus_Select_Bus_New_Flyer_D60HF_5766.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-721\" alt=\"what did you pay?\" src=\"https:\/\/www.artsjournal.com\/worth\/wp-content\/uploads\/2013\/04\/MTA_New_York_City_Bus_Select_Bus_New_Flyer_D60HF_5766-300x225.jpg\" width=\"300\" height=\"225\" srcset=\"https:\/\/www.artsjournal.com\/worth\/wp-content\/uploads\/2013\/04\/MTA_New_York_City_Bus_Select_Bus_New_Flyer_D60HF_5766-300x225.jpg 300w, https:\/\/www.artsjournal.com\/worth\/wp-content\/uploads\/2013\/04\/MTA_New_York_City_Bus_Select_Bus_New_Flyer_D60HF_5766.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Laura Pedersen of the <em>New York Times<\/em> <a href=\"http:\/\/cityroom.blogs.nytimes.com\/2013\/04\/25\/half-a-fare-half-a-seat\/\">reports<\/a>:<\/p>\n<blockquote><p>A packed crosstown 86th Street bus going west.<\/p>\n<p>A man and a child who looks to be about 4 are sitting side by side.<\/p>\n<p>A large older woman seated nearby belligerently says, \u201cYou didn\u2019t have to pay for that child, so you must hold it on your lap.\u201d<\/p>\n<p>The man politely replies, \u201cYou paid only a senior half fare, so you can only use half a seat.\u201d<\/p>\n<p>Conversation over.<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Laura Pedersen of the New York Times reports: A packed crosstown 86th Street bus going west. A man and a child who looks to be about 4 are sitting side by side. A large older woman seated nearby belligerently says, \u201cYou didn\u2019t have to pay for that child, so you must hold it on your [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[26],"tags":[],"class_list":{"0":"post-720","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-issues","7":"entry","8":"has-post-thumbnail"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p3dIW5-bC","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":725,"url":"https:\/\/www.artsjournal.com\/worth\/2013\/04\/strategic-gaps-in-the-paywall\/","url_meta":{"origin":720,"position":0},"title":"Strategic gaps in the paywall","author":"Michael Rushton","date":"April 26, 2013","format":false,"excerpt":"At Slate, Matt Yglesias reports that advertising revenues are down, but subscription revenues are up, at the New York Times: I've been skeptical about digital subscription models for a long time, but I'm turning into a believer. A key change has been the development of technological means of making the\u2026","rel":"","context":"In &quot;issues&quot;","block_context":{"text":"issues","link":"https:\/\/www.artsjournal.com\/worth\/category\/issues\/"},"img":{"alt_text":"paywall? what paywall?","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2013\/04\/cookies-300x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1982,"url":"https:\/\/www.artsjournal.com\/worth\/2016\/02\/is-there-a-canadian-cultural-policy-crisis\/","url_meta":{"origin":720,"position":1},"title":"Is there a Canadian cultural policy crisis?","author":"Michael Rushton","date":"February 13, 2016","format":false,"excerpt":"At the Globe and Mail, Kate Taylor writes: The policy tools that have protected and nurtured Canada\u2019s cultural industries since the 1970s are unknown to transnational distributors of foreign content \u2013 that would be Google, YouTube and Netflix \u2013 while Canadian consumers are increasingly sidestepping the domestic distributors who, whether\u2026","rel":"","context":"In &quot;issues&quot;","block_context":{"text":"issues","link":"https:\/\/www.artsjournal.com\/worth\/category\/issues\/"},"img":{"alt_text":"a childhood favourite","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2016\/02\/paddle-to-the-sea.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3626,"url":"https:\/\/www.artsjournal.com\/worth\/2024\/11\/a-dialogue-on-the-nature-of-arts-participation\/","url_meta":{"origin":720,"position":2},"title":"A dialogue on the nature of arts participation","author":"Michael Rushton","date":"November 10, 2024","format":false,"excerpt":"When I was a child we had some really old Peanuts paperbacks, now long lost, and for reasons unknown - some spirit knew I would end up in cultural policy? - this one stuck in my head, practically verbatim. Anyway, from April 6, 1958, thank you Mr. Schulz.","rel":"","context":"In &quot;issues&quot;","block_context":{"text":"issues","link":"https:\/\/www.artsjournal.com\/worth\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/11\/IMG_5196.webp?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/11\/IMG_5196.webp?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/11\/IMG_5196.webp?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":3801,"url":"https:\/\/www.artsjournal.com\/worth\/2025\/05\/children-of-men\/","url_meta":{"origin":720,"position":3},"title":"Children of Men","author":"Michael Rushton","date":"May 3, 2025","format":false,"excerpt":"At Indiana University each spring there is an arts festival in honor of Kurt Vonnegut,\u00a0Granfalloon. This year\u2019s theme is his novel\u00a0Cat\u2019s Cradle, which is the book where he introduces the term Granfalloon (although, to my mind, not really as something one would celebrate; Karass would have been a better choice\u2026","rel":"","context":"In &quot;issues&quot;","block_context":{"text":"issues","link":"https:\/\/www.artsjournal.com\/worth\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2025\/05\/image.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2025\/05\/image.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2025\/05\/image.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2025\/05\/image.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2025\/05\/image.png?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1284,"url":"https:\/\/www.artsjournal.com\/worth\/2014\/05\/we-switched-round-and-round-til-half-past-dawn\/","url_meta":{"origin":720,"position":4},"title":"We switched &#8217;round and &#8217;round &#8217;til half-past dawn","author":"Michael Rushton","date":"May 6, 2014","format":false,"excerpt":"A new report from the Nielson company: According to Nielsen\u2019s forthcoming Advertising & Audiences Report, the average U.S. TV home now receives 189 TV channels\u2014a record high and significant jump since 2008, when the average home received 129 channels. Despite this increase, however, consumers have consistently tuned in to an\u2026","rel":"","context":"In &quot;issues&quot;","block_context":{"text":"issues","link":"https:\/\/www.artsjournal.com\/worth\/category\/issues\/"},"img":{"alt_text":"\"Zero marginal cost, you say?\"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2013\/02\/Family_watching_television_1958.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2013\/02\/Family_watching_television_1958.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2013\/02\/Family_watching_television_1958.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":674,"url":"https:\/\/www.artsjournal.com\/worth\/2013\/04\/the-bottom-of-the-hourglass\/","url_meta":{"origin":720,"position":5},"title":"The bottom of the hourglass","author":"Michael Rushton","date":"April 16, 2013","format":false,"excerpt":"At Reuters, Peter Rudegeair writes: What\u2019s a retailer to do with a widening\u00a0gap\u00a0between rich and poor customers?\u00a0Starbucks\u00a0is the latest chain to target America\u2019s \u201chourglass economy.\u201d By cutting 10% off its grocery-store coffee bags while keeping in place the price hikes it put in place in its caf\u00e9s\u00a0last year, Starbucks is\u2026","rel":"","context":"In &quot;issues&quot;","block_context":{"text":"issues","link":"https:\/\/www.artsjournal.com\/worth\/category\/issues\/"},"img":{"alt_text":"modern economy","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2013\/04\/296px-wooden_hourglass_3-148x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/posts\/720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/comments?post=720"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/posts\/720\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/media?parent=720"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/categories?post=720"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/tags?post=720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}