{"id":3626,"date":"2024-11-10T15:15:49","date_gmt":"2024-11-10T23:15:49","guid":{"rendered":"https:\/\/www.artsjournal.com\/worth\/?p=3626"},"modified":"2024-11-10T15:15:52","modified_gmt":"2024-11-10T23:15:52","slug":"a-dialogue-on-the-nature-of-arts-participation","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/worth\/2024\/11\/a-dialogue-on-the-nature-of-arts-participation\/","title":{"rendered":"A dialogue on the nature of arts participation"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/11\/Brahms-record.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"279\" height=\"284\" src=\"https:\/\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/11\/Brahms-record.jpg\" alt=\"\" class=\"wp-image-3629\" style=\"width:279px;height:auto\"\/><\/a><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>When I was a child we had some really old Peanuts paperbacks, now long lost, and for reasons unknown &#8211; some spirit knew I would end up in cultural policy? &#8211;  this one stuck in my head, practically verbatim. Anyway, from April 6, 1958, thank you Mr. Schulz.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/11\/IMG_5196.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"407\" src=\"https:\/\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/11\/IMG_5196.webp\" alt=\"\" class=\"wp-image-3627\" srcset=\"https:\/\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/11\/IMG_5196.webp 600w, https:\/\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/11\/IMG_5196-300x204.webp 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>When I was a child we had some really old Peanuts paperbacks, now long lost, and for reasons unknown &#8211; some spirit knew I would end up in cultural policy? &#8211; this one stuck in my head, practically verbatim. Anyway, from April 6, 1958, thank you Mr. Schulz.<\/p>\n","protected":false},"author":3,"featured_media":3629,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[26],"tags":[],"class_list":{"0":"post-3626","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-issues","8":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/11\/Brahms-record.jpg","jetpack_shortlink":"https:\/\/wp.me\/p3dIW5-Wu","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/posts\/3626","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/comments?post=3626"}],"version-history":[{"count":2,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/posts\/3626\/revisions"}],"predecessor-version":[{"id":3631,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/posts\/3626\/revisions\/3631"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/media\/3629"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/media?parent=3626"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/categories?post=3626"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/tags?post=3626"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}