{"id":2535,"date":"2020-03-24T03:01:10","date_gmt":"2020-03-24T10:01:10","guid":{"rendered":"https:\/\/www.artsjournal.com\/worth\/?p=2535"},"modified":"2020-03-24T03:01:13","modified_gmt":"2020-03-24T10:01:13","slug":"voting-for-arts-funding-a-short-video","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/worth\/2020\/03\/voting-for-arts-funding-a-short-video\/","title":{"rendered":"Voting for arts funding &#8211; a short video"},"content":{"rendered":"\n<p>We are making the adjustment to teaching arts policy at a distance for the remainder of the semester, and so I&#8217;m about to get used to (and hopefully better at) short videos for students, practitioners, anyone with an interest.<\/p>\n\n\n\n<p>In this one &#8211; I kept it to eighteen minutes &#8211; I talk about a study I did on the 2002 referendum in Metro Detroit that would have seen a property tax increase to provide funding for a number of arts organizations. It failed. In my study I took precinct-level voting data, matched the precincts to census tracts, and looked at the characteristics of census tracts that made it more likely that people would vote in favour of the tax increase. Levels of formal education mattered (though income and house value did not, nor did average age); distance from the Detroit city arts core mattered, and most significant, reflecting how partisan an issue this has become, was whether voters went for the Democratic over the Republican candidate for state governor (which was on the same ballot.<\/p>\n\n\n\n<p>The video is here:<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/GNT4vvvY7kg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p>And the (paywalled &#8211; just drop me a line if you cannot access it) paper, in the journal <em>Public Budgeting &amp; Finance<\/em>, is here:<\/p>\n\n\n\n<p><a href=\"https:\/\/onlinelibrary.wiley.com\/doi\/abs\/10.1111\/j.1540-5850.2005.00374.x\">https:\/\/onlinelibrary.wiley.com\/doi\/abs\/10.1111\/j.1540-5850.2005.00374.x<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We are making the adjustment to teaching arts policy at a distance for the remainder of the semester, and so I&#8217;m about to get used to (and hopefully better at) short videos for students, practitioners, anyone with an interest. In this one &#8211; I kept it to eighteen minutes &#8211; I talk about a study [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":{"0":"post-2535","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p3dIW5-ET","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1357,"url":"https:\/\/www.artsjournal.com\/worth\/2014\/06\/earmarked-taxes-for-the-arts\/","url_meta":{"origin":2535,"position":0},"title":"Earmarked taxes for the arts","author":"Michael Rushton","date":"June 18, 2014","format":false,"excerpt":"Last night Mecklenburg County (where Charlotte, NC is) commissioners voted to approve a referendum on increasing the sales tax by a quarter of a cent, some of which would be dedicated to culture: 7.5% of the proceeds to the Arts & Science Council and 5% of the proceeds to the\u2026","rel":"","context":"In &quot;issues&quot;","block_context":{"text":"issues","link":"https:\/\/www.artsjournal.com\/worth\/category\/issues\/"},"img":{"alt_text":"I admit only having been to the airport","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2014\/06\/charlotte-north-carolina.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2014\/06\/charlotte-north-carolina.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2014\/06\/charlotte-north-carolina.jpeg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1499,"url":"https:\/\/www.artsjournal.com\/worth\/2014\/09\/local-arts-funding-and-urban-design-responses\/","url_meta":{"origin":2535,"position":1},"title":"Local arts funding and urban design: responses","author":"Michael Rushton","date":"September 8, 2014","format":false,"excerpt":"My thanks to those who took the time to comment on my most recent post. As usual - and this is for the good! - discussion went in unexpected directions. One commenter wrote, in response to my line that local government arts funders should respond to local tastes: Should \u201ctaste\u201d\u2026","rel":"","context":"In &quot;issues&quot;","block_context":{"text":"issues","link":"https:\/\/www.artsjournal.com\/worth\/category\/issues\/"},"img":{"alt_text":"we get letters","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2013\/03\/postbox.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2013\/03\/postbox.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2013\/03\/postbox.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2013\/03\/postbox.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2013\/03\/postbox.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2013\/03\/postbox.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":3005,"url":"https:\/\/www.artsjournal.com\/worth\/2024\/04\/why-public-funding-for-the-arts-a-personal-view\/","url_meta":{"origin":2535,"position":2},"title":"Why Public Funding for the Arts: A Personal View","author":"Michael Rushton","date":"April 18, 2024","format":false,"excerpt":"I\u00a0wrote a book\u00a0looking at how different ways of moral and political theorizing drew different conclusions regarding whether the state should, or should not, subsidize the arts. At the very end of the book I give something of a personal view. There is a review circulating that is terribly confused about\u2026","rel":"","context":"In &quot;issues&quot;","block_context":{"text":"issues","link":"https:\/\/www.artsjournal.com\/worth\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/04\/image.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2234,"url":"https:\/\/www.artsjournal.com\/worth\/2017\/11\/about-that-arts-council-england-economic-report\/","url_meta":{"origin":2535,"position":3},"title":"About that Arts Council England economic report","author":"Michael Rushton","date":"November 7, 2017","format":false,"excerpt":"I've been away from the blog for a while, but I just can't keep myself away from economic impact studies of the arts. The latest is from Arts Council England - you can read the report here. Three things: First, the goals of the study are not clear. Britain's Office\u2026","rel":"","context":"In &quot;issues&quot;","block_context":{"text":"issues","link":"https:\/\/www.artsjournal.com\/worth\/category\/issues\/"},"img":{"alt_text":"now multiply by 2.77 precisely","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2017\/11\/abacus.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2017\/11\/abacus.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2017\/11\/abacus.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":3049,"url":"https:\/\/www.artsjournal.com\/worth\/2024\/07\/does-it-matter-if-the-subsidized-arts-are-mostly-attended-by-the-well-off\/","url_meta":{"origin":2535,"position":4},"title":"Does it matter if the subsidized arts are mostly attended by the well-off? (updated)","author":"Michael Rushton","date":"July 24, 2024","format":false,"excerpt":"I have a new paper out, \u201cThe pursuit of equality through public funding for the arts\u201d, in\u00a0Innovating Institutions and Inequities in the Arts, edited by Joanna Woronkowicz and Doug Noonan.1 To explain what it is about, let me start with a completely different policy field: reducing the use of fossil\u2026","rel":"","context":"In &quot;issues&quot;","block_context":{"text":"issues","link":"https:\/\/www.artsjournal.com\/worth\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/07\/image-1.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/07\/image-1.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/07\/image-1.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/07\/image-1.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/07\/image-1.png?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":3039,"url":"https:\/\/www.artsjournal.com\/worth\/2024\/07\/on-the-florida-arts-funding-cuts-beyond-the-fringe\/","url_meta":{"origin":2535,"position":5},"title":"On the Florida Arts Funding Cuts: Beyond the Fringe","author":"Michael Rushton","date":"July 3, 2024","format":false,"excerpt":"Last week Florida governor Ron DeSantis vetoed $32 million in arts funding, which in that state is managed and allocated by the Division of Arts and Culture. The\u00a0Miami Herald\u00a0reports: Gov. Ron DeSantis on Thursday cited \u201csexual\u201d festivals in Orlando and Tampa as the reason he vetoed more than $32 million\u2026","rel":"","context":"In &quot;issues&quot;","block_context":{"text":"issues","link":"https:\/\/www.artsjournal.com\/worth\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/07\/image.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/07\/image.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/07\/image.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/posts\/2535","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/comments?post=2535"}],"version-history":[{"count":1,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/posts\/2535\/revisions"}],"predecessor-version":[{"id":2536,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/posts\/2535\/revisions\/2536"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/media?parent=2535"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/categories?post=2535"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/tags?post=2535"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}