{"id":2346,"date":"2018-04-15T14:10:29","date_gmt":"2018-04-15T21:10:29","guid":{"rendered":"http:\/\/www.artsjournal.com\/worth\/?p=2346"},"modified":"2018-04-15T14:10:29","modified_gmt":"2018-04-15T21:10:29","slug":"lets-move-before-they-change-the-parking-rate","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/worth\/2018\/04\/lets-move-before-they-change-the-parking-rate\/","title":{"rendered":"Let&#8217;s move before they change the parking rate"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/worth\/wp-content\/uploads\/2018\/04\/parking-lot.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-2349\" src=\"https:\/\/www.artsjournal.com\/worth\/wp-content\/uploads\/2018\/04\/parking-lot-300x225.jpg\" alt=\"vibrant!\" width=\"300\" height=\"225\" srcset=\"https:\/\/www.artsjournal.com\/worth\/wp-content\/uploads\/2018\/04\/parking-lot-300x225.jpg 300w, https:\/\/www.artsjournal.com\/worth\/wp-content\/uploads\/2018\/04\/parking-lot-768x576.jpg 768w, https:\/\/www.artsjournal.com\/worth\/wp-content\/uploads\/2018\/04\/parking-lot-1024x768.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>No, I cannot quit writing about <a href=\"https:\/\/www.artsjournal.com\/worth\/2016\/11\/why-its-time-to-completely-totally-finally-give-up-on-economic-impact-studies-in-the-arts\/\">economic-impact-of-the-arts<\/a> reports. Let&#8217;s try something a little more focused, and talk about &#8230; parking.<\/p>\n<p>Parking is part of the cost of attending a show, if it takes place in an area without free parking and you don&#8217;t live nearby. Economists think charging for parking is ok because your car is taking up scarce space that has to be allocated somehow. Free parking means space is allocated on a first-come-first-serve basis, which is not all that efficient (people have to arrive much earlier for events than they otherwise would, in an effort to secure a space). It&#8217;s a cost of living in one place but wanting to see things (or go to work or go to school) in a different place, the need to rent a space to put one&#8217;s vehicle.<\/p>\n<p>&#8220;Economic impact&#8221; studies of the arts include spending on parking &#8211; see the <a href=\"https:\/\/www.americansforthearts.org\/by-program\/reports-and-data\/research-studies-publications\/arts-economic-prosperity-iv\/national-findings\">Americans for the Arts<\/a>, or a recent study posted by <a href=\"http:\/\/artsjournal.com\">artsjournal.com<\/a> (which seems to think these studies are all worth passing along&#8230;) from <a href=\"https:\/\/www.chicagoreader.com\/Bleader\/archives\/2018\/04\/11\/chicago-loop-alliance-study-arts-in-the-loop-have-a-2-billion-impact\">Chicago<\/a>. In one sense, the &#8220;impact&#8221; studies have something right: people often spend money on parking when they go to a show, and parking is a legitimate part of the measured economy.<\/p>\n<p>But consider. People walking to a show therefore have less &#8220;impact&#8221;, as do people who take public transit. If we include parking in &#8220;economic impact&#8221; it also makes sense to include gasoline, and increased maintenance and depreciation on vehicles (to be honest I don&#8217;t know if they <em>do<\/em> include these things). If I run into a deer on the way to see a show in my home town (a not unheard of occurrence), the &#8220;economic impact&#8221; is really big.<\/p>\n<p>And I just cannot help but ask &#8230; Why? Why is one of the benefits of the arts that people pay for transportation and parking? Why do we think the arts in the Chicago Loop are especially valuable because. in part, it costs a small fortune to park there? The way &#8220;economic impact&#8221; is measured, it would rise if parking lot owners decided to increase rates &#8211; why would we see this as a good thing? A sign of the importance of the arts?<\/p>\n<p>Until next time&#8230;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>No, I cannot quit writing about economic-impact-of-the-arts reports. Let&#8217;s try something a little more focused, and talk about &#8230; parking. Parking is part of the cost of attending a show, if it takes place in an area without free parking and you don&#8217;t live nearby. Economists think charging for parking is ok because your car [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":2349,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[26],"tags":[],"class_list":{"0":"post-2346","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-issues","8":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/worth\/wp-content\/uploads\/2018\/04\/parking-lot.jpg","jetpack_shortlink":"https:\/\/wp.me\/p3dIW5-BQ","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1106,"url":"https:\/\/www.artsjournal.com\/worth\/2014\/03\/when-dynamic-pricing-makes-sense\/","url_meta":{"origin":2346,"position":0},"title":"When dynamic pricing makes sense","author":"Michael Rushton","date":"March 11, 2014","format":false,"excerpt":"\"Let's move before the raise the parking rate.\" Palmerston North, New Zealand, has the latest in dynamic pricing for parking. From Offsetting Behavior (via Marginal Revolution): The 33-space carpark in the city\u2019s Church Street has been kitted out with solar-powered sensors by local parking technology firm Frogparking that can tell\u2026","rel":"","context":"In &quot;issues&quot;","block_context":{"text":"issues","link":"https:\/\/www.artsjournal.com\/worth\/category\/issues\/"},"img":{"alt_text":"use this fern for $2 an hour","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2014\/03\/kiwi.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":363,"url":"https:\/\/www.artsjournal.com\/worth\/2013\/02\/museums-amusement-parks-and-cable-tv\/","url_meta":{"origin":2346,"position":1},"title":"Museums, Amusement Parks and Cable TV","author":"Michael Rushton","date":"February 24, 2013","format":false,"excerpt":"Should museums charge visitors according to the length of their visit? \u00a0In a recent paper Bruno Frey and Lasse Steiner argue they should. We pay per hour when we park our cars, so why not when we go to view art? This question came to mind during the recent flare\u2026","rel":"","context":"In \"bundling\"","block_context":{"text":"bundling","link":"https:\/\/www.artsjournal.com\/worth\/tag\/bundling\/"},"img":{"alt_text":"\"Zero marginal cost, you say?\"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2013\/02\/Family_watching_television_1958-300x279.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":862,"url":"https:\/\/www.artsjournal.com\/worth\/2013\/06\/paying-for-position\/","url_meta":{"origin":2346,"position":2},"title":"Paying for position","author":"Michael Rushton","date":"June 11, 2013","format":false,"excerpt":"The New York Times reports on Universal Studios Hollywood: It has introduced a $299 V.I.P. ticket, just in time for the summer high season, that comes with valet parking, breakfast in a luxury lounge, special access to Universal\u2019s back lot, unlimited line-skipping and a fancy lunch. V.I.P. visitors also receive\u2026","rel":"","context":"With 3 comments","block_context":{"text":"With 3 comments","link":"https:\/\/www.artsjournal.com\/worth\/2013\/06\/paying-for-position\/#comments"},"img":{"alt_text":"no frills","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2013\/06\/queue-300x225.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":776,"url":"https:\/\/www.artsjournal.com\/worth\/2013\/05\/on-special-showings-for-seniors\/","url_meta":{"origin":2346,"position":3},"title":"On special showings for seniors","author":"Michael Rushton","date":"May 13, 2013","format":false,"excerpt":"At the Freakonomics blog, Daniel Hamermesh reports on pricing at his local cinema in suburban London: Every\u00a0Tuesday they show a recent movie (e.g., Lincoln is showing on\u00a0May 21) and charge only \u00a33 ($4.60). \u00a0Moreover, you get \u201cfree tea, coffee and biscuits!\u201d Such a deal\u2014so how can they make money off\u2026","rel":"","context":"In &quot;issues&quot;","block_context":{"text":"issues","link":"https:\/\/www.artsjournal.com\/worth\/category\/issues\/"},"img":{"alt_text":"would you like a cuppa?","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2013\/05\/Copy_of_ladykill-300x230.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2962,"url":"https:\/\/www.artsjournal.com\/worth\/2024\/02\/museums-are-not-like-highways\/","url_meta":{"origin":2346,"position":4},"title":"Museums are not like highways","author":"Michael Rushton","date":"February 14, 2024","format":false,"excerpt":"In a New York Times op-ed, Laura Raicovich and Laura Hanna call for a generous increase in the way the government, in particular the federal government, funds arts institutions: As policymakers in Washington gather to draft a new budget for fiscal year 2025, they could solve culture\u2019s current financial crisis\u2026","rel":"","context":"In &quot;issues&quot;","block_context":{"text":"issues","link":"https:\/\/www.artsjournal.com\/worth\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/02\/image.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/02\/image.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/02\/image.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/02\/image.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/02\/image.png?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2024\/02\/image.png?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":796,"url":"https:\/\/www.artsjournal.com\/worth\/2013\/05\/scalpers\/","url_meta":{"origin":2346,"position":5},"title":"Scalpers","author":"Michael Rushton","date":"May 19, 2013","format":false,"excerpt":"The Observer reports that scalpers (or touts) are making a killing on tickets for the Proms: One unofficial online site is offering seats for the Doctor Who-themed Prom on 14 July for \u00a3500, compared with the official flat-rate price of \u00a312. A ticket for the first night on 12 July\u2026","rel":"","context":"In &quot;issues&quot;","block_context":{"text":"issues","link":"https:\/\/www.artsjournal.com\/worth\/category\/issues\/"},"img":{"alt_text":"I got mine for just twelve pounds!","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/worth\/wp-content\/uploads\/2013\/05\/promsDM0403_468x320-300x205.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/posts\/2346","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/comments?post=2346"}],"version-history":[{"count":3,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/posts\/2346\/revisions"}],"predecessor-version":[{"id":2350,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/posts\/2346\/revisions\/2350"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/media\/2349"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/media?parent=2346"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/categories?post=2346"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/worth\/wp-json\/wp\/v2\/tags?post=2346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}