{"id":2605,"date":"2023-05-15T22:32:26","date_gmt":"2023-05-16T02:32:26","guid":{"rendered":"https:\/\/www.artsjournal.com\/uq\/?p=2605"},"modified":"2023-05-15T22:32:29","modified_gmt":"2023-05-16T02:32:29","slug":"re-imagining-mahler-a-colorado-mahlerfest-live-stream-this-saturday","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/uq\/2023\/05\/re-imagining-mahler-a-colorado-mahlerfest-live-stream-this-saturday.html","title":{"rendered":"&#8220;Re-Imagining Mahler&#8221; &#8212; A Colorado Mahlerfest Live-Stream this Saturday"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/www.artsjournal.com\/uq\/wp\/wp-content\/uploads\/2023\/05\/image-1.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/uq\/wp\/wp-content\/uploads\/2023\/05\/image-1.png\" alt=\"\" class=\"wp-image-2609\" width=\"293\" height=\"440\" srcset=\"https:\/\/www.artsjournal.com\/uq\/wp\/wp-content\/uploads\/2023\/05\/image-1.png 431w, https:\/\/www.artsjournal.com\/uq\/wp\/wp-content\/uploads\/2023\/05\/image-1-200x300.png 200w\" sizes=\"auto, (max-width: 293px) 100vw, 293px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p>\u201cRe-Imagining Mahler \u2013 and Why His Brief New York Philharmonic Tenure Was Truly a \u2018Failure\u2019\u201d is the topic of my talk at this Saturday\u2019s Colorado&nbsp;<strong><a href=\"https:\/\/mahlerfest.org\/mf36\/\">Mahlerfest<\/a><\/strong>&nbsp;Symposium in Boulder. I\u2019ll also address creative fiction as a vital tool for the cultural historian.<\/p>\n\n\n\n<p>I\u2019ll be joined (from Vienna) by Thomas Hampson \u2013 who has recorded another excerpt from my new novel&nbsp;<strong><em>T<a href=\"https:\/\/www.blackwaterpress.com\/product\/the-marriage\/\">he Marriage: The Mahlers in New York<\/a><\/em><\/strong>&nbsp;(which among other things explains the nature of Mahler\u2019s \u201cfailure\u201d).&nbsp;<\/p>\n\n\n\n<p>The Symposium will be live-streamed&nbsp;<a href=\"https:\/\/www.youtube.com\/@coloradomahlerfest\"><strong>here<\/strong>.<\/a><\/p>\n\n\n\n<p>You can see the day\u2019s line-up of talks&nbsp;<strong><a href=\"https:\/\/mahlerfest.org\/mf36\/symposium\/\">here<\/a><\/strong>&nbsp;(I\u2019m 10:15 to 11:45 am Mountain Time).<\/p>\n\n\n\n<p>You can listen to Tom read the beginning of my chapter one &#8212; the Mahlers being greeted by Heinrich Conried, the Metropolitan Opera&#8217;s bumbling manager &#8212; here:<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.artsjournal.com\/uq\/wp\/wp-content\/uploads\/2023\/05\/joe-book-2.mp3\"><\/audio><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cRe-Imagining Mahler \u2013 and Why His Brief New York Philharmonic Tenure Was Truly a \u2018Failure\u2019\u201d is the topic of my talk at this Saturday\u2019s Colorado&nbsp;Mahlerfest&nbsp;Symposium in Boulder. I\u2019ll also address creative fiction as a vital tool for the cultural historian. I\u2019ll be joined (from Vienna) by Thomas Hampson \u2013 who has recorded another excerpt from [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":{"0":"post-2605","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry","8":"has-post-thumbnail"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p2QLHN-G1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/uq\/wp-json\/wp\/v2\/posts\/2605","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/uq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/uq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/uq\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/uq\/wp-json\/wp\/v2\/comments?post=2605"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/uq\/wp-json\/wp\/v2\/posts\/2605\/revisions"}],"predecessor-version":[{"id":2615,"href":"https:\/\/www.artsjournal.com\/uq\/wp-json\/wp\/v2\/posts\/2605\/revisions\/2615"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/uq\/wp-json\/wp\/v2\/media?parent=2605"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/uq\/wp-json\/wp\/v2\/categories?post=2605"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/uq\/wp-json\/wp\/v2\/tags?post=2605"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}