{"id":1063,"date":"2018-06-19T10:56:35","date_gmt":"2018-06-19T14:56:35","guid":{"rendered":"http:\/\/www.artsjournal.com\/uq\/?p=1063"},"modified":"2018-06-19T10:56:35","modified_gmt":"2018-06-19T14:56:35","slug":"el-paso-kurt-weill-and-tornillos-tent-city","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/uq\/2018\/06\/el-paso-kurt-weill-and-tornillos-tent-city.html","title":{"rendered":"El Paso, Kurt Weill, and Tornillo’s Tent City"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Readers of this blog may remember my last filing from El Paso<\/a> \u2013 a \u201cKurt Weill\u2019s America\u201d festival, part of the NEH-supported \u201cMusic Unwound\u201d consortium I direct, that ignited a week of discussion and debate about immigration past and present.<\/p>\n

My most memorable experience that week was visiting Eastlake High School, in a semi-rural colonia, and telling 3,000 students about Weill, Walt Whitman, and Pearl Harbor. Weill\u2019s immigrant\u2019s response to FDR\u2019s declaration of war on Japan, setting three Whitman Civil War poems, transfixed these remarkable young people. Mainly Mexican-American, they evince no sense of entitlement. When I was finished, the school chorus asked to sing for me. They chose \u201cThe Star-Spangled Banner.\u201d<\/p>\n

As I previously wrote:<\/p>\n

\u201cThe quarterback for the El Paso Weill festival was Frank Candelaria, who as Associate Provost at the University of Texas\/El Paso [UTEP] has the vision and persistence to make big things happen. Frank is an El Paso native, the first member of his family to obtain what is called \u2018higher education\u2019 \u2014 Oberlin and Yale. He left a tenured position at UT\/Austin to return to El Paso five years ago. He expected the Weill festival to catch fire in El Paso, but the intimacy with which it penetrated personal lives took him by surprise. On the final day he said to me: \u2018I learned a lot about my own city and how strongly people identify as Americans.\u2019\u201d<\/p>\n

About a week ago, my issue of the Kurt Weill Newsletter<\/em> arrived in the mail. It may well be the only classical-music magazine of quality we have left in the US. My blog about Weill in El Paso was there reprinted, with a full page of comments<\/a> by students and participants. A UTEP student named Toni Torres wrote: \u201cThese projects on Kurt Weill gave me a new perspective on my citizenship. I need to be doing way more for my country and its music.\u201d<\/p>\n

No sooner did I read those words than I learned that Tornillo \u2013 one of the three colonias to which Candelaria has been bringing \u201cMusic Unwound\u201d programs featuring UTEP faculty members and visiting artists — is to be the site of a tent city for children separated from their parents as a punishment for crossing the border illegally. Temperatures in Tornillo were predicted to shortly reach 105 degrees.<\/p>\n

UTEP is a kind of miracle, an embodiment of the American Dream. More than 80 per cent of the students are Hispanic. More than 90 per cent are local. Any person with a high school diploma is accepted for admission. It inculcates high values that used to be termed American. It \u00a0is about to neighbor a holding facility for boys and girls, detained and corralled by our United States Government.<\/p>\n","protected":false},"excerpt":{"rendered":"

Readers of this blog may remember my last filing from El Paso \u2013 a \u201cKurt Weill\u2019s America\u201d festival, part of the NEH-supported \u201cMusic Unwound\u201d consortium I direct, that ignited a week of discussion and debate about immigration past and present. My most memorable experience that week was visiting Eastlake High School, in a semi-rural colonia, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":{"0":"post-1063","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry","8":"has-post-thumbnail"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p2QLHN-h9","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/uq\/wp-json\/wp\/v2\/posts\/1063","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/uq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/uq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/uq\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/uq\/wp-json\/wp\/v2\/comments?post=1063"}],"version-history":[{"count":3,"href":"https:\/\/www.artsjournal.com\/uq\/wp-json\/wp\/v2\/posts\/1063\/revisions"}],"predecessor-version":[{"id":1067,"href":"https:\/\/www.artsjournal.com\/uq\/wp-json\/wp\/v2\/posts\/1063\/revisions\/1067"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/uq\/wp-json\/wp\/v2\/media?parent=1063"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/uq\/wp-json\/wp\/v2\/categories?post=1063"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/uq\/wp-json\/wp\/v2\/tags?post=1063"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}