However popular it may be, Porgy and Bess remains an object of rampant controversy and confusion. An odd item in the New York Times the other day reported that the white cast of the Hungarian State Opera’s Porgy and Bess (above) had been instructed to declare themselves “African-Americans.” “The singers were asked to sign a declaration stating that ‘African-American origins … [Read more...] about Why “Porgy and Bess” Is More than a “Period Piece”
Archives for April 2019
Music from Paradise
Claude Debussy wrote: “But my poor friend! Do you remember the Javanese music, able to express every shade of meaning, even unmentionable shades which make our tonic and dominant seem like ghosts? . . . Their school consists of the eternal rhythm of the sea, the wind in the leaves, and a thousand other tiny noises . . . that force one to admit that our own music is not much … [Read more...] about Music from Paradise
Mark Twain, Charles Ives, and Race
In the current issue the quarterly review Raritan, I write that Mark Twain’s Adventures of Huckleberry Finn and Charles Ives’s Symphony No. 2 “are twin American cultural landmarks, comparable in method and achievement.” They both transform a hallowed Old World genre – the novel, the symphony -- through recourse to New World vernacular speech. To read the whole piece, … [Read more...] about Mark Twain, Charles Ives, and Race