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  • AUDIENCE

Bicultural Comedy In 2020 America: How One Chicano Playwright Creates It

THEATRE Posted: January 10, 2020 12:01 pm

Herbert Sigüenza, a founding member of the Chicano sketch company Culture Clash and playwright-in-residence at San Diego Rep (which premiered his latest script, Bad Hombres/Good Wives) talks to dramaturg Matthew McMahan about “the unique dynamics of bicultural comedy. He frames the comic writer as a type of diplomat whose plays yoke together divergent ideas, jokes, characters, and languages, while managing to get a diverse group of people to laugh at it all the same.” – HowlRound

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THEATRE Published: 01.05.20, sj

Read the story in HowlRound Published: 01.05.20, sj

Woolly Mammoth Theatre’s New Leader Pushes To Be Artistic Leader In Fighting For Social Justice

THEATRE Posted: January 10, 2020 8:29 am

To survive long-term, companies such as Woolly need to convince social-justice-minded, cash-challenged millennials to buy tickets. The crucial challenge: Can they do this without alienating a crowd who, liberal as they may be, might also be slower to get with the times? Or do you have to, in effect, fire one audience to lure the other? – Washingtonian

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THEATRE Published: 01.05.20, sj

Read the story in Washingtonian Published: 01.05.20, sj

Can An Artist-In-Residence Really Transform A Big-City DA’s Office? This One Means To Try

PEOPLE, VISUAL Posted: January 10, 2020 6:03 am

Muralist James “Yaya” Hough, 44, was released last year after 27 years in prison, and within a few months he was hired for the new artist-in-residence position in the office of reformist Philadelphia District Attorney Larry Krasner. “Hough told Hyperallergic that he was looking to program workshops that will foster conversations between the DA’s 600 or so employees, survivors of crimes, and those currently serving time in the criminal justice system.” – Hyperallergic

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PEOPLE, VISUAL Published: 01.08.20, sj

Read the story in Hyperallergic Published: 01.08.20, sj

The Problems With Translating Shakespeare Into Modern English, And How The Playwrights Who Did It Dealt With Them

THEATRE Posted: January 9, 2020 11:04 am

Writer and dramaturg Loren Noveck was skeptical of the Play On Shakespeare project, and not because she’s a purist: “The Bard,” perhaps the paradigmatic Dead White Male, takes up so much space on stages, in season schedules, and in the minds of theatre folk that there’s not nearly enough room for newer voices dealing with contemporary issues. (Not to mention the now-abhorrent 17th-century attitudes in some of the plays.) But the playwrights tell Noveck that they were well aware of these questions, and they talk to her about their answers. – HowlRound

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THEATRE Published: 01.06.20, sj

Read the story in HowlRound Published: 01.06.20, sj

Four Dancers of Color Share Their Experiences at the Intersection of Dance and Identity

Uncategorized Posted: January 7, 2020 8:31 pm

“Reconciling one’s dance and racial identities can be a complicated, emotional process, especially since the dance world is so slow to embrace change. But as the overdue push for diversity in dance becomes stronger, many dancers are embracing their racial and ethnic backgrounds in ways that were previously frowned upon — from wearing tights that match their skin color to rocking natural hair onstage. Dance Spirit spoke with four dancers of color about their experiences.” – Dance Spirit

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Uncategorized Published: 01.06.20, sj

Read the story in Dance Spirit Published: 01.06.20, sj

Most Paintings on Princeton’s Campus Are of Dead White Men. But One Artist Is Adding Equally Grand Portraits of Its Cooks and Cleaners

Uncategorized Posted: January 7, 2020 8:29 pm

“These are the works of Mario Moore, a 32-year-old Detroit-born artist who recently painted a series of portraits honoring the African American service workers on the Princeton campus, where he has just completed a year-long fellowship. The project was inspired by Moore’s father, a former security guard at the Detroit Institute of Arts who had a ‘hard-working, industrial belt-type of mentality,’ according to Moore.” – artnet

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Uncategorized Published: 01.08.20, sj

Read the story in artnet Published: 01.08.20, sj

#ENOUGH: A New-Play Initiative Enlists Youth to Confront Gun Violence

Uncategorized Posted: January 7, 2020 8:22 pm

“Theatre artist Michael Cotey was in rehearsal at the Goodman Theatre when the news of the devastating Parkland shooting broke. ‘I started thinking about ways theatre artists could respond to this,’ he recalls. Partly inspired by Tectonic Theater Project’s The Laramie Project: 10 Years Later reading series, in which he was involved, Cotey created the #ENOUGH: Plays to End Gun Violence initiative as a way to galvanize a nationwide dialogue around gun violence. Throughout 2020, #ENOUGH plans to provide a platform for middle and high school students across the country to create 10-minute plays exploring the impact gun violence has on their lives and communities.” – American Theatre

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Uncategorized Published: 01.08.20, sj

Read the story in American Theatre Published: 01.08.20, sj

Progress In Hollywood: Number Of Female Directors Hits All-Time High, But Women Remain Rare In Other Behind-The-Scenes Jobs

MEDIA Posted: January 3, 2020 6:34 am

“Examining the 1,300 top films from 2007 through to 2019, the Annenberg researchers found that on average just 4.8 percent of directors were women, yet that spiked to 10.6 percent in 2019 … [and] 15 percent of the directors of all films released by major companies last year were women, another record. … [But] the latest Celluloid Ceiling report … found that women in key behind-the-scenes jobs were outnumbered four to one by men. That figure remained unchanged from 2018.” – The New York Times

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MEDIA Published: 01.02.20, sj

Read the story in New York Times Published: 01.02.20, sj

Dancing While Deaf: What It’s Like To Move To Music You Can’t Hear

DANCE Posted: January 2, 2020 8:03 am

“Dance may be a visual art form, but it’s tightly intertwined with sound. Even as the field strives to be more inclusive, learning to dance without two fully functioning ears remains a challenge. But today, dancers with full and partial hearing loss are becoming more visible, thanks to growing opportunities, high-profile role models and even Instagram.” – Dance Magazine

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DANCE Published: 01.01.20, sj

Read the story in Dance Magazine Published: 01.01.20, sj

The Cultural ‘Canon’ Really Is Getting More Diverse

ISSUES Posted: January 2, 2020 7:35 am

“It’s not so much that canons have been completely obliterated, as [Harold] Bloom and others feared — in any given collection, the old guard and their descendants have remained. But canons have continued to evolve, and new ones have sprung up alongside them.” Aisha Harris looks at some examples. – The New York Times

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ISSUES Published: 12.27.19, sj

Read the story in New York Times Published: 12.27.19, sj

‘The Four Horsemen Of Asian-American Literature’

WORDS Posted: January 2, 2020 7:02 am

That was Ishmael Reed’s nickname for Frank Chin, Jeffery Paul Chan, Shawn Wong, and Lawson Fusao Inada, who (on top of their own writing) put together the first major anthology of Asian-American fiction (titled Aiiieeeee!) and thereby began a canon. “The Four Horsemen had no interest in being loved,” writes Hua Hsu in this essay, “especially by white people. … When an editor asked [Chin] to tidy some grammatical errors, he called her the ‘great white bitch goddess priestess of the sacred white mouth.'” – The New Yorker

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WORDS Published: 01.06.20, sj

Read the story in The New Yorker Published: 01.06.20, sj

Cree Artist Kent Monkman Takes Us on a Tour of the Met to Show How Not to Depict Indigenous People

Uncategorized Posted: December 31, 2019 9:38 pm

“On a walk through the Met’s galleries with Artnet News, he pointed out various works that inspired his own. But while the works in the Met’s collection tend to present an image of Native people as shrinking and doomed, while picturing North America itself as a vast wilderness ripe for the taking, Monkman offers an alternative story.” – artnet

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Uncategorized Published: 01.20.19, sj

Read the story in artnet Published: 01.20.19, sj

The Most Important Decade for Movies About Black Lives

Uncategorized Posted: December 31, 2019 9:30 pm

Lawrence Ware: “I’d argue that the 2010s were the most important decade for black film in America. We see dramas (12 Years a Slave), comedies (Girls Trip), horror (Get Out, Us) and documentaries (13TH and O.J.: Made in America) all being taken seriously critically, and most were successful financially. So, the question I’d like to consider is a rather simple one: What were the best black films of the past decade? Here are my answers, in alphabetical order.” – The New York Times

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Uncategorized Published: 12.30.19, sj

Read the story in New York Times Published: 12.30.19, sj

What the Foundry’s Melanie Joseph and Playwrights Horizons’ Tim Sanford mean to theater

Uncategorized Posted: December 31, 2019 9:16 pm

“Founded by Joseph in 1994, the Foundry, which produced artistic offerings, community programs and activist conferences on issues ranging from genocide to economic inequality, created a model that proved a theater company could examine its relationship to the world while upholding the most rigorous aesthetic standards. Playwrights Horizons has been quite simply the most important crucible for contemporary playwriting in America. … But does the theater have a sensibility today? Certainly, the old taunt (Gay Whites Horizons) no longer resounds now that the programming has become more widely inclusive.” – Los Angeles Times

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Uncategorized Published: 12.30.19, sj

Read the story in Los Angeles Times Published: 12.30.19, sj

How The 2010s Became The Queerest Decade Ever On Screen

MEDIA Posted: December 31, 2019 7:02 am

“It feels like we’re leaving this decade light years ahead of where we entered it. In 2010, salacious stories about queer people were still routinely seen in tabloids and on TV. Today, LGBTQ+ people are heralded for being themselves, and our stories are being normalized and told with a broader range of diversity and experiences than ever before.” Writer Jill Gutowitz talks with four leading queer media creators about how it happened. – them

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MEDIA Published: 12.20.19, sj

Read the story in them Published: 12.20.19, sj

Fifty Years Of The Community Museum Movement

AUDIENCE, ISSUES Posted: December 27, 2019 8:03 am

“How should museums relate to their surroundings? What are the most meaningful ways for them to connect and work with their communities? … These questions date to the beginning of the community museum movement in the 1960s and remain foundational to the field.” Anna Diamond reports from a Smithsonian symposium on the subject. – Smithsonian Magazine

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AUDIENCE, ISSUES Published: 12.26.19, sj

Read the story in Smithsonian Magazine Published: 12.26.19, sj

The Biggest Art World Controversies Of 2019

VISUAL Posted: December 27, 2019 5:35 am

“This past year saw no shortage of controversies in both the art world and the real world. And perhaps more than ever before, the distance between those two worlds seemed to collapse, as artists and activists began demanding with unprecedented strength that patrons — both board members and corporate sponsors — answer for their actions outside the confines of the museum. We zeroed in on 11 hot-button issues that ignited heated debate in the art world this year, and the particular questions they provoked.” – artnet

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VISUAL Published: 12.26.19, sj

Read the story in artnet Published: 12.26.19, sj

She Was *Not* Going To Play Princess Jasmine: Shereen Ahmed, First Arab-American To Play Eliza Doolittle In Major Production

THEATRE Posted: December 26, 2019 12:01 pm

“I don’t want to be Jasmine. She’s one of my favorite princesses, but I don’t want to perpetuate that stereotype: completely powerless, or overly sexualized,” says the Baltimore-born daughter of an Egyptian immigrant father. After understudying Laura Benanti on Broadway (she went on a dozen times), Ahmed is headlining the national tour, currently at the Kennedy Center. – The Washington Post

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THEATRE Published: 12.21.19, sj

Read the story in Washington Post Published: 12.21.19, sj

Who Was the Most Influential Curator of the Decade? Okwui Enwezor — And Dozens of Art-World Experts Told Us Why

Uncategorized Posted: December 24, 2019 11:16 pm

As artist, activist, and writer Coco Fusco said, “Without his efforts and his vision, we would all still be operating in a racist and Eurocentric art world.” – artnet

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Uncategorized Published: 12.24.19, sj

Read the story in artnet Published: 12.24.19, sj

The Philadelphia DA’s Office Has Just Hired Its First Artist in Residence. He Previously Spent 27 Years in Prison for Murder.

Uncategorized Posted: December 24, 2019 11:14 pm

“Artists-in-residence programs have become popular at institutions ranging from Google to CERN, the European Organization for Nuclear Research. Now, they are coming to government agencies, too. Next month, the Philadelphia District Attorney’s office will become the first agency associated with law enforcement to launch an artist-in-residence program. James ‘Yaya’ Hough, the artist chosen for the job, will be tasked with introducing a fresh dose of creative thinking to the 600-member staff — with a side of empathy.” – artnet

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Uncategorized Published: 12.24.19, sj

Read the story in artnet Published: 12.24.19, sj

Blackface at the Ballet Highlights a Global Divide on Race

Uncategorized Posted: December 24, 2019 10:59 pm

“In the United States the use of dark makeup evokes the painful legacy of racism and minstrel shows, in which performers darkened their skin with burnt cork to play characters that perpetuated racist stereotypes about African-Americans. But while the practice is increasingly rare in North America … it persists in parts of Europe and Russia.” And a recent Instagram post by Misty Copeland, showing Bolshoi Ballet dancers in dark makeup for a performance of La Bayadère, “[has] led to weeks of debate among ballet fans, highlighting a growing geographic divide on questions of race and representation.” – The New York Times

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Uncategorized Published: 12.23.19, sj

Read the story in New York Times Published: 12.23.19, sj

Highlighting the Resilience of Indigenous People Through Augmented Reality

Uncategorized Posted: December 24, 2019 10:57 pm

“Through multi-sensorial installations, Alan Michelson holds genocidal colonizers accountable and affirms the continued survival of Indigenous people.” – Hyperallergic

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Uncategorized Published: 12.23.19, sj

Read the story in Hyperallergic Published: 12.23.19, sj

How Rose Simpson’s lowrider is an homage to Pueblo potters

Uncategorized Posted: December 24, 2019 10:54 pm

“While studying automotive science, Rose B. Simpson built a moving piece of art: Maria, a black, refurbished 1985 Chevrolet El Camino named for famed Pueblo potter Maria Martinez. … Simpson, who comes from a long line of Pueblo potters, is putting a contemporary spin on the traditional art of her ancestors.” – PBS NewsHour

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Uncategorized Published: 12.23.19, sj

Read the story in PBS NewsHour Published: 12.23.19, sj

Author Sarah Broom on ‘The Yellow House’ and putting New Orleans East on the map

Uncategorized Posted: December 24, 2019 10:52 pm

“I felt moved and buoyed by the idea that I could write something that didn’t exist, and that there’s a little girl right now still living on the short end of the street in New Orleans East where I grew up. And I wrote it for her, so that there could be some history already in existence. And, you know, one of the striking things about New Orleans East is the way in which it doesn’t always appear on a map of New Orleans. So I wanted to quite literally put New Orleans East on the map.” – PBS NewsHour

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Uncategorized Published: 12.26.19, sj

Read the story in PBS NewsHour Published: 12.26.19, sj

The 2010s Radicalized Video Games — And The People Who Make Them

MEDIA Posted: December 20, 2019 7:01 am

“In traditional video games, labor and capitalism have been depicted in near-frictionless harmony. Take SimCity and Civilization‘s dogmatic views of economic progress popular during the booming real-life ’90s or even Mario’s insatiable accumulation of gold coins.” But in the wake of the 2008 financial crash and this decade’s insane lengthening of working hours, developers began creating games that imply real critiques of contemporary tech capitalism — and they began to consider unionizing. – The Nation

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MEDIA Published: 12.19.19, sj

Read the story in The Nation Published: 12.19.19, sj

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