Three dozen people were killed in a December 2016 fire at the warehouse known as the Ghost Ship, which had been illegally occupied as an artists’ colony. Derek Almena, who held the lease to the building, and Max Harris, who assisted Almena as a sort of super, initially pled not guilty but have now pleaded no contest to 36 counts of involuntary manslaughter and are expected to serve several years in prison.
In a statement issued the afternoon before the Fourth of July holiday, the troubled bookstore chain announced that Demos Parneros had been terminated without severance pay for unspecified “violations of the Company’s policies.” (The statement did say that Parneros’s dismissal had nothing to do with financial malfeasance or fraud.)
Their song “Apeshit” has been viewed tens of millions of times on YouTube since it came out, and the Louvre is not unaware of their influence. Now the museum, “which already has a tour based on the US rapper will.i.am’s hit ‘Smile Mona Lisa,’ has created another based on the Carters’ night in the museum. It follows the video through 17 paintings and sculptures which feature in the six-minute clip, going from the monumental white Greek marble ‘Nike of Samothrace’ to Marie Benoist’s ‘Portrait of a Negress.'”
“The simplest definition may be best: To write clearly means that another person can understand what we mean. Someone (not us) can figure out what we are trying to say. Of course, an intelligent seven-year-old could point out the problems with this.”
“For a certain group of musical theater fans, Christmas comes in June. This Christmas has everything yours does. It has beloved songs. It has lights. It has pageantry. It bestows gifts. It involves pilgrimages across great distances. It is the Jimmy Awards, and it is the most wonderful time of the year. ‘What are the Jimmy Awards?’ you ask, like an innocent child. Short answer? They are the high-school Tonys.”
With the spread of virtual-assistant and smart-speaker technologies – one out of every five U.S. homes with wi-fi has Alexa or an equivalent – both the national NPR network and Seattle public radio station KUOW are experimenting with ways to let listeners donate with a simple voice command.
“The French president, Emmanuel Macron, has asked a senior civil servant to conduct a review of artist residencies funded by the French state, which could lead to the abolition of some culture programmes. … [His] main aim is to make France more attractive ‘to great artistic talents from all over the world’, underlining that the government spends more than €7m annually on around 500 residencies in the fields of visual and performance arts.”
Cognitive biases originate in the way the brain processes the information that every person encounters every day. The brain can deal with only a finite amount of information, and too many incoming stimuli can cause information overload. That in itself has serious implications for the quality of information on social media.
The subscription-video service is now the most popular platform for watching entertainment on TV, ahead of traditional cable and broadcast television networks as well as YouTube and Hulu, according to a recent survey of U.S. consumers by Wall Street firm Cowen & Co.
Audible isn’t exactly a giant-killer yet, but it is putting out an intriguing mix of content, one that—if you squint a bit—resembles the work being done by the publishing houses Audible simultaneously is partnering with and competing against. Audible is emphasizing its strengths while essentially taking what it can get from big-name authors—it’s a smart, patient strategy that is yielding results.
“Giant, corporate publishers with racketeering business practices and profit margins that exceed Apple’s treat life-saving research as a private commodity to be sold at exorbitant profits. … [Worse,] Elsevier has sued Sci-Hub, a website that provides free, easy access to 67 million research articles. … If we diversify our thinking away from the superficial field of journals and articles, and instead focus on the power of networked technologies, we can see all sorts of innovative models for scholarly communication.”
“The Fraternal Order of Police [lodge for metro Charleston] is objecting to two books on Wando High School’s freshman [summer] reading list” – The Hate U Give by Angie Thomas and All American Boys by Brendan Kiely and Jason Reynolds, both about police violence against black teens. Said the president of the union local, “It’s almost an indoctrination of distrust of police, and we’ve got to put a stop to that.”
“The [Peter] Zumthor project is about six months behind schedule. The process, including building permits and entitlements, is taking longer than expected, [museum director Michael] Govan says. And the museum’s $650-million fundraising campaign, he adds, is ‘in pace with the project.’ Which is to say: going slowly.”
“[American Ballet Theatre] made the announcement yesterday, and it makes sense — Radetsky has served as a ballet master for the group since 2016, as well as a teacher for the main company. He succeeds Kate Lydon, who is leaving her post to direct the dance program at St. Paul’s School in New Hampshire.”
AMC Theaters, the largest multiplex chain in the United States, rolled out its own MoviePass-style service on Tuesday. For $20 a month, subscribers to AMC Stubs A-List can see up to three movies a week. Also last week, the Alamo Drafthouse chain said it would begin testing a service called Season Pass that would offer unlimited movies for one monthly price.
A global community to coordinate and regain control – to develop a public open-access infrastructure – of research and scholarly communication for the public good is long overdue. The issues of governance and ownership of public research have never been clearer. Another isolated platform will simply replicate the problems of the current journal-based system, including the ‘publish or perish’ mentality that perverts the research process, and the anachronistic evaluation system based on corporate brands.
The Watershed, built in a then-condemned metal factory space that’s about a six-minute ferry ride from the Institute of Contemporary Art’s main building, opens to the public on July 4.