“Many contemporary memes and slang terms in mainstream pop culture such as ‘yas Queen’ and ‘throwing shade,’ for example, were appropriated from the unique linguistic practices of the queer community, often coined decades before. It’s a phenomenon that seems to replicate across different cultures, such as Bahasa Gay, a gay speech style of Indonesia, which has made its way into mainstream Indonesian life without the public being particularly aware that gay people even exist. How does this happen?” Linguist Chi Luu explains it all.
The Scottish Borders council is implementing a trial in three schools – in Galashiels, Hawick and Peebles – that will see secondary school pupils and other volunteers taking on roles in school libraries. The pilot initiative follows the loss of several librarian jobs last year, according to reports in the Scottish press, and has been attacked by local parents as well as by literacy experts, trade unions, teachers and librarians.
Zoé Samudzi: “In general, though, these films about white female adolescence and teenhood revolve around particular experiences of and meditations on dissatisfaction and boredom, using nostalgia as their primary pull. And yet for me, their projections of high school misery and endless summers only served as a reminder that Black girls are never afforded the kind of ordinariness that would make them relatable to white audiences.”
“There’s no evolutionary reason for us to be able to comprehend the scale of [climate change]. The museum has to create space for strong feelings and recognize that [those feelings] are a primary pathway into climate engagement. We saw that with [Weil’s] exhibition. Visitors described themselves as feeling emotions including awe and an intense sense of responsibility.”
French President Emmanuel Macron cited Dostoyevsky’s speech about Pushkin—in which the writer makes a dramatic appeal for Russian universalism—in a press conference with Vladimir Putin in Saint Petersburg on May 24. Then, on Tuesday, the prime minister of Italy’s new populist government, Giuseppe Conte, paraphrased—or perhaps mis-paraphrased—the same Dostoyevsky speech in his first address before the Italian Senate.
Audiences will be encouraged to use electronic card readers to help tackle fears from artists about a slump in donations as growing numbers of people shun carrying money around with them. Street performers are also expected to get the chance to go “on tour” to new pop-up sites around the city in future.
Both Orchestra A and B have budgets in the middle of the list ($1.8 million). The average percentage of the budget that pays the orchestra musicians (not including conductor or guest artists) is in the vicinity of 30 percent. Orchestra A pays 38 percent, Orchestra B percent 13 percent…yes it is not a typo, it is 13 cents on the dollar.
To be a member of a fandom is to take a property and embrace it like a vise. You consume it, you talk about it with fellow fans, maybe you go to conventions, maybe you write fanfic or draw fanart, and no matter what — and this is the most crucial part — you pray that, if there’s more of it, it’ll be as good as the best of what’s come before. There are polite fans who say it quietly and don’t get mad when their needs aren’t met. But, by their very nature, such fans are always going to be drowned out by the ones who, like Bobby Axelrod, declare to the world, These are my needs. What’s remarkable and dangerous is the fact that, in the past 20 years, Hollywood started feeding them. They started getting what they wanted, and they’ve never looked back.
“The green-clad tough guy of the Lollipop Guild who famously handed Dorothy (Judy Garland) a giant lollipop … Maren moved beyond society’s stereotypes of shortness to make a successful living as an actor and spokesman. He racked up nearly 100 film and TV credits and starred in several commercials. He also played McDonald’s Hamburglar and Mayor McCheese, as well as Buster Brown and Little Oscar in Oscar Mayer’s 1950s ad campaigns.”
“The novel, titled Little Boy, fuses elements of autobiography, literary criticism, poetry and philosophy, in a headlong, often stream-of-consciousness style. ‘It’s not a memoir, it’s an imaginary me,’ Mr. Ferlinghetti said in a phone interview. ‘It’s an experimental novel, let’s put it that way.'”
“Forum Theatre, the little company in Silver Spring that on a modest scale championed some of the most advanced ideas in modern playgoing, announced Wednesday that it would be closing shop for good on July 31, after 14 years of putting on adventurous shows. … Factors includ[ed] the crowded theater landscape in the region and [artistic director Michael] Dove’s desire to explore more esoteric kinds of theater than could be sustained by the company.”
“The DuSable Museum of African American History, which has the largest collection of African-American historical artifacts in the country, is facing a crisis of underfunding and management at a time when it should be getting ready for the arrival the Obama Presidential Center … First, though, the 57-year-old museum must regain financial and organizational stability in its day-to-day operations. If it can’t, it’s not clear it will survive until 2020, let alone the next decade or two. [Here’s what’s] on the punch list.”
“‘Foreign Bodies’ [is] a one-night-only interdisciplinary extravaganza on Friday that marks the end of his three-year tenure as the [New York Philharmonic’s] composer in residence. But the program isn’t only a showcase of Mr. Salonen’s work; he shares billing with the New York premiere of a violin concerto by Daniel Bjarnason, a video installation by Tal Rosner and choreography by Wayne McGregor. If anything, the evening is a manifesto for what Mr. Salonen thinks the 21st-century concert could — and should — be.”
“In what is considered a world first, a single-floor, three-room house made of 3D-printed concrete will be ready for occupation in 2019. More than 20 people have already registered their interest in the house since Dutch construction company Van Wijnen announced the project. It will be the first of five 3D concrete homes to be built in a wood in [the Dutch city of Eindhoven].”
“The British Pakistani author’s seventh novel” – which edged out Jesmyn Ward’s Sing, Unburied, Sing, winner of the US National Book Award – “reworks Sophocles’ tragedy Antigone to tell the story of a British Muslim family’s connection to Islamic State … The [£30,000] annual award, which has been won by authors including Lionel Shriver, Chimamanda Ngozi Adichie and Naomi Alderman in the last two decades, was previously known as the Orange prize and the Baileys prize.”
At 42, Jordan Roth has become Broadway’s singular showman, pushing the boundaries of what it means — and, yes, what it looks like — to be a theater tycoon. In a famously flop-prone industry, he is wrapping up his best season ever — successfully luring not only Bruce Springsteen but also Disney (“Frozen”) and Tina Fey (“Mean Girls”) to his theaters, joining the long-running hits “The Book of Mormon” and “Kinky Boots.” He has three Tony Awards as a producer, and this weekend he is vying for a fourth, for a starry revival of “Angels in America.” As his confidence has grown, so has his appetite for provocative self-expression.
“In an open nominations field, the category could be dominated by one gender at the expense of another.” Mark Shenton points out several examples of awards where the acting categories aren’t separated by gender – and where women have subsequently been outnumbered by men as nominees.
“The foundation is announcing this week that it is giving around 400 artworks in all media by the Pop Art master — about half its holdings — to the Whitney Museum of American Art. … The foundation will also give historical material comprising approximately half a million documents to the Smithsonian’s Archives of American Art.”
“Launched on the Google Arts & Culture platform today, the project includes drone footage of ancient sites and structures like the ziggurat in Borsippa and the Archway of Ctesiphon, 3D models of now lost architecture, like Babylon’s famous Ishtar Gate, and documentation of sites that have been damaged or destroyed by ISIS, including Nimrud, Hatra and Mosul.”