“[A team of researchers in Italy] created a computer model of human talent and the way people use it to exploit opportunities in life. The model allows the team to study the role of chance in this process. … Their simulations accurately reproduce the wealth distribution in the real world. But the wealthiest individuals are not the most talented (although they must have a certain level of talent). They are the luckiest. And this has significant implications for the way societies can optimize the returns they get for investments in everything from business to science.”
Less often do we focus on the cinematographers behind the lens, many of whom never saw themselves working in television until, in the last decade or so, the schisms between the small and big screens dwindled. And not merely in the scope of the stories or the quality of scripts: never before has television looked so good, from inventive camerawork to glossy lighting.
When the piece premiered at Houston Grand Opera in 1983, most of the reviews were harsh: The New York Times pronounced it “a pretentious failure.” Now, with the Bernstein centennial upon us, David Patrick Stearns looks at two versions of A Quiet Place – one brand new and released by Bernstein’s estate – that aim to show audiences the work’s underestimated strengths.
“The Texas-born songwriter met his longtime lyricist Tom Jones when they were both students at the University of Texas/Austin in the late 1940s, and over the course of a career that spanned nearly the next half-century, Mr. Schmidt never wrote with anyone else.” Their most famous show, The Fantasticks, had the longest run of any play in American history: 17,162 performances over nearly 42 years in a small off-Broadway theater.
Christopher Hawthorne: Was there some link between the violence in Wright’s personal life that sent him careening to California and the work he produced here? And what was it about pre-Columbian ruins that made them so attractive to Wright in the 1920s as the basis for an experimental, concrete-block L.A. architecture?
Judith Lisi, Opera Tampa’s co-founder and CEO of the David A. Straz Jr. Center for the Performing Arts, has maintained that she did not know about the Canadian arrest warrant, which was issued in February 2017, until told by a Times reporter. But she has now acknowledged that Opera Tampa bought out the final eight months on Lipton’s contract. The reason, she said, was her concern over what she had heard about his behavior toward women.
Daniel Hahn, who won the International Dublin literary award, decided it was past time to reward translator teams for their work. “Literary translation is a difficult profession to break into. Plenty of people want to do it, but in the insular English-speaking world, there’s regrettably little work to go around, and it’s easier for publishers to entrust their books to already-known translators who are seen as less of a risk. But there are many benefits to widening our pool of working translators, not least because new translators often lead us to meet new writers.”
Also: “Search terms blocked on Sino Weibo, a microblogging site which is China’s equivalent of Twitter, include ‘disagree’, ‘personality cult’, ‘lifelong’, ‘immortality’, ’emigrate’, and ‘shameless’.”
Why is it under discussion? Because Johnson finally – finally – had to answer questions about the cost to the public of a bridge that never got built. “A total of £60m of public money was committed to the project, and £37.4m was spent by the Garden Bridge Trust without any construction work being done, even though a construction contract had been signed.”
Adam Grant: “As a social scientist, if I want to get a read on your personality, I could ask you to fill out a survey on how stable, dependable, friendly, outgoing, and curious you are. But I would be much better off asking your coworkers to rate you on those same traits: They’re up to 12 times more accurate. They can see things that you can’t or won’t – and these studies reveal that whatever you know about yourself that your coworkers don’t is basically irrelevant to your job performance.”
“I have also come to realise that, as a critic, I am complicit in this exchange. By going to review work at venues where actors are not paid, or paid very little, I am effectively endorsing a system that advantages some at the expense of others.”
In its filing, Spotify says it aims to “unlock the potential of human creativity by giving a million creative artists the opportunity to live off their art and billions of fans the opportunity to enjoy and be inspired by these creators.” The firm said it had paid more than €8bn in royalties to artists, music labels, and publishers since its launch. The filing also hinted at plans to expand beyond music into other forms of radio.
The surprising result is that students who received multiple field trips experienced significantly greater gains on their standardized test scores after the first year than did the control students. If we combine math and ELA tests, we see a gain of 12.4 percent of a standard deviation at p < 0.01, which translates into roughly 87 additional days of learning.
In some ways, an AI system is smarter than the average child – it can read and store massive amounts of scientific research, for example. But it’s lacking the common sense that most children have, Allen said in a statement. “If we want AI to approach human abilities and have the broadest possible impact in research, medicine and business, we need to fundamentally advance AI’s common sense abilities,” he said.
Writers, including this one, often call the practice of transferring a work from one instrumentation to another “arrangement.” But perhaps this term is misleading. It suggests that there is one “correct” version, and the others are copies — less valuable and less true. For many or most chamber works of the 18th century, this view is anachronistic and problematic
Called ‘Art on theMart,’ the permanent large-scale lighting installation will be a digital canvas spanning across nearly 3 acres of its river-facing façade. The project was announced Sunday by Chicago Mayor Mayor Rahm Emanuel, the city’s department of cultural affairs and special events, and property owner Vornado Realty Trust, who will fund the large-scale installation.
Since launching on Jan. 1, they have received $21M from 20,000 donors from all 50 states ranging from $5 to $2M. “That momentum has just continued and grown but so has the need.” Of the 1,700 who requested help, the fund has been able to meet the needs of 1,250 — finding them lawyers (500 attorneys volunteered to help, many doing it pro bono).
The Art Team is part of the Barnes’ continuing effort to deepen its ties with its audience. Initiated by Shelley Bernstein, chief experience officer and deputy director of audience engagement, probably best known for her work with digital technology, the Art Team is notable for its relative lack of tech, at least for now.
Libraries aren’t just a place to store books. They also have a more symbolic purpose, as a signifier of civilization. Here are five libraries in places struggling to survive themselves.
“We did three movies [in the five years] when we lived together. … I made 10 or 11 movies after that, too, as an actor and director. We had an incredibly deep and wonderful friendship in this time. … We quarreled, sure, but we became friends again very quickly, too. But when we quarreled, we really quarreled. He was surprised, because I seemed so timid and quiet, but I was his equal in these arguments.”
It’s not just that she was adept in musicals, difficult dramatic roles, and comedy alike, or that she made movies in five languages. It’s not even that she was the first actress in Bollywood to demand, and get, billing and pay equal to those of male stars. She hugely expanded the types of heroine (and anti-heroine) that Bollywood actresses could play, and that their audiences would accept.
Videos and anecdotes of octopuses escaping from predators (and research labs), manipulating tools (and researchers), and so on have made the clever cephalopods the internet’s favorite animals after cat and dogs. In a notable bit of debunking (or party-pooping) – subtitled “It’s not a crafty, soulful genius. It’s dinner.” – Daniel Engber argues that we shouldn’t overestimate these mollusks.
“Throughout my years in Alaska, I dreamed of a new music drawn from the light, the air, the landscapes, and the weather of the North. Now as I’ve begun to learn the landforms, the light, the weather, the plants, and the birds of the desert, I’ve begun to dream of music that resonates with these extraordinary landscapes. … Like the tundra, most deserts are places in which there are few people. It’s true that this is part of the reason I’m drawn to these landscapes. But for me, the essence of the desert is not absence. It is presence.”
Roberta Mazza of the University of Manchester writes about her search for the origins of a Coptic fragment of Paul’s Letter to the Galatians that appeared on eBay in 2008 and ended up – like too many other pieces of dubious provenance – in the collection that forms the basis of the Museum of the Bible in D.C.
“[The] decision to go public has been expected and in the works for months … As of December 31, Spotify has 159 million monthly active users and 71 million subscribers, as in those who pay to use the service. In its F-1 filing, Spotify notes that it expects these numbers are ‘nearly double the scale of our closest competitor, Apple Music.'”
Just days after the company, unable to find a buyer, announced it would file for bankruptcy, a group led by Barack Obama’s chief of the Small Business Administration agreed to take it over. Said that leader, Maria Contreras-Sweet, “I will be chairwoman of a majority-female board of directors. Women will be significant investors in the new company and control its voting stock.”
Water Lilies: Reflection of Willows was one of a set of 25 Monet paintings in a huge collection of Western art acquired by the Japanese collector Kōjirō Matsukata. In the leadup to World War II, he had the works stored for safekeeping in France and England. When they were finally returned to Japan in 1959 (after Matsukata’s death), this work wasn’t among them. Now it has turned up, though it’s badly damaged.
“Da Vinci’s masterpiece, which has spent nearly all of the past 500 years in Paris, could soon be smiling at audiences across France as part of a rare tour, the country’s culture minister said Thursday. Françoise Nyssen told Europe 1 radio she was ‘seriously considering’ the move as part of travelling exhibition of the country’s most prestigious artworks.”
Noting that “many commentators often conflate ‘museum’ with ‘art museum’,” Bob Beatty points out that there are far more history museums than art museums in this country. Oddly, attendance figures broken out for history museums are surprisingly scarce, but Beatty runs the numbers he can.
Take Another Trip! The Paston Treasure Beckons
I’ll bet most, if not all, of you have never heard of a large painting called The Paston Treasure, c. 1663. Neither had I, until I saw a little picture of this 8 feet by 5.4 feet work. … read more
AJBlog: Real Clear Arts Published 2018-03-01
Review: Martin Wind’s “Light Blue”
Martin Wind, Light Blue (Laika)
Martin Wind gathers a coterie of distinguished colleagues and demonstrates why for two decades he has been a mainstay bassist in the US and Europe. … read more
AJBlog: RiffTides Published 2018-03-01