{"id":341,"date":"2010-02-19T10:44:43","date_gmt":"2010-02-19T18:44:43","guid":{"rendered":"http:\/\/www.artsjournal.com\/state\/wp\/2010\/02\/student_view\/"},"modified":"2010-02-19T10:44:43","modified_gmt":"2010-02-19T18:44:43","slug":"student_view","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/state\/2010\/02\/student_view\/","title":{"rendered":"Why So Many 501 (c)3&#8217;s?"},"content":{"rendered":"<p>I grew up professionally in the 501(c)3 world. It was &#8220;the&#8221; aspirational model.&nbsp; At the time, in the late 1960&#8217;s\/early 1970&#8217;s, I don&#8217;t think anyone foresaw the enormous growth of these NFP&#8217;s in the arts, or the concomitant problems this growth would cause.&nbsp; <\/p>\n<p>To get to a place where arts entities can freely consider alternative organizational models, it&#8217;s essential to learn why the 501(c)3 model became the standard.&nbsp; <\/p>\n<p>For one, it had so much to offer: independence, identity, and tax-deductibility.&nbsp; Additionally, this model was adopted by foundations and government funding entities as <u>required<\/u>, in order to receive grants.&nbsp; These funders specifically stated (and continue to state) that they would not make grants to organizations under fiscal agency.&nbsp; The reasons for this restriction were understandable at the time.&nbsp; Fiscal agents were often unstable themselves, frequently purported an artistic point of view, and generally charged what was perceived as too high a percentage of budget for services rendered.&nbsp; Funders understandably wanted insurance that their funds would be used responsibly, and also wanted to encourage organizations to stabilize, grow and thrive.<\/p>\n<p>Fiscal agency appears to be emerging as a viable alternative now, as many have addressed the historical issues associated with them.&nbsp; It&#8217;s not the only solution, but one of many possibilities for arts entities to consider.&nbsp; With its administrative benefits come risks, as the fiscal agent is subjected to many of the same potential unstable elements as any independent NFP.&nbsp; However, in considering the fiscal agency option, an arts organization or artist can assess the agent&#8217;s track record, historical stability and conditions for &#8220;membership.&#8221;&nbsp; But in order for this option to even be considered seriously, foundations and government funders <u>must<\/u> rewrite their guidelines for this alternative to be considered.<\/p>\n<p>My future postings will explore additional alternatives to the standard NFP. &nbsp;&nbsp; <\/p>\n<p>&nbsp;<\/p>\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I grew up professionally in the 501(c)3 world. It was &#8220;the&#8221; aspirational model.&nbsp; At the time, in the late 1960&#8217;s\/early 1970&#8217;s, I don&#8217;t think anyone foresaw the enormous growth of these NFP&#8217;s in the arts, or the concomitant problems this growth would cause.&nbsp; To get to a place where arts entities can freely consider alternative [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-341","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/state\/wp-json\/wp\/v2\/posts\/341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/state\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/state\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/state\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/state\/wp-json\/wp\/v2\/comments?post=341"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/state\/wp-json\/wp\/v2\/posts\/341\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/state\/wp-json\/wp\/v2\/media?parent=341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/state\/wp-json\/wp\/v2\/categories?post=341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/state\/wp-json\/wp\/v2\/tags?post=341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}