{"id":324,"date":"2023-04-18T00:01:00","date_gmt":"2023-04-18T00:01:00","guid":{"rendered":"https:\/\/www.artsjournal.com\/scenechange\/?p=324"},"modified":"2023-03-28T01:41:42","modified_gmt":"2023-03-28T01:41:42","slug":"the-insert-letter-here-word-and-the-arts","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/scenechange\/2023\/04\/18\/the-insert-letter-here-word-and-the-arts\/","title":{"rendered":"The [Insert Letter Here] Word and the\u00a0Arts"},"content":{"rendered":"\n<p class=\"has-large-font-size\"><strong>DEI is not a contest <em>between.<\/em> It\u2019s a contest&nbsp;<em>for.<\/em><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/ko-fi.com\/alanharrison\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"732\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/03\/alphabet-letters.jpg?resize=1024%2C732&#038;ssl=1\" alt=\"\" class=\"wp-image-325\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/03\/alphabet-letters.jpg?resize=1024%2C732&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/03\/alphabet-letters.jpg?resize=300%2C215&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/03\/alphabet-letters.jpg?resize=768%2C549&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/03\/alphabet-letters.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure>\n\n\n\n<p>The C word (no, not <em>that<\/em> one\u200a\u2014\u200athe 5-letter one that\u2019s not just for Chinese people anymore).<\/p>\n\n\n\n<p>The E word (if you want to get abandoned in a snowdrift in Yellowknife, just use this slur).<\/p>\n\n\n\n<p>The F word (no, not <em>that<\/em> one\u200a\u2014\u200athe 6-letter one).<\/p>\n\n\n\n<p>The G word (not just for Koreans anymore).<\/p>\n\n\n\n<p>The I word (unless the subject is actually from India).<\/p>\n\n\n\n<p>The J word (maybe out of favor since a nuclear bomb in 1945; or maybe not).<\/p>\n\n\n\n<p>The L word (so much so that there was a TV show about it).<\/p>\n\n\n\n<p>The N word (and so many more that there aren\u2019t enough alphabets).<\/p>\n\n\n\n<p>The P word (ask a Brit about this one).<\/p>\n\n\n\n<p>The R word (a 7-letter term insulting any person wearing a turban, Muslim or not)<\/p>\n\n\n\n<p>The S word; also, the 6-letter B word and the 7-letter W word (same group, different border walls).<\/p>\n\n\n\n<p>The Y word; also, the K word (same group, different slurs, different countries).<\/p>\n\n\n\n<p>As a nonprofit arts organization, <strong>your company does not have the ability to change the systemic racism that plagues the country<\/strong>. And neither do you, at least not without several lifetimes of work. Systemic racism will continue as long as capitalism continues to be the coin of the realm.<\/p>\n\n\n\n<p>Your company does have the ability to raise and lower the temperature of systemic racism as it sees fit. And in doing so, remember that the impact on its community rests on your company\u2019s actions. That happened when you or your predecessors chose to be a charity in the first place.<\/p>\n\n\n\n<p>One thing you can discuss\u200a\u2014\u200aand, with any luck, put into your work for the community\u200a\u2014\u200ais the idea that all racism is evil. This is not to dilute the injustices that have been done to each of several communities, as listed in the bigot\u2019s slur alphabet above. Each community has been wronged and continues to be discriminated against.<\/p>\n\n\n\n<p>The one thing that racists count on\u200a\u2014\u200aand they\u2019re really good at it\u200a\u2014\u200ais fomenting hate among the groups they perceive to be the enemy of their way of life. When they can pit one group they hate against another group they hate, they can just sit back and watch the fireworks, knowing that, no matter what, they win.<\/p>\n\n\n\n<p>It is a trap that continues to snap on many of my colleagues.<\/p>\n\n\n\n<p>One recently told me, in no uncertain terms, that Black people have endured the most serious effronteries of any group of people in America. She may be right.<\/p>\n\n\n\n<p>Black lives matter. To too many, they never have. To some, they never will. Regardless, they do and we as a people need to do everything we can to, at the very least, level the playing field.<\/p>\n\n\n\n<p>After all, Black people continue to feel the heel of society on their heads. Their young men die at the hands of the police. Their young women live well below the financial level of any other group of people. They\u2019ve been systematically excluded from any kind of generational advantage. They\u2019ve been hanged, tortured, beaten, enslaved, raped, and shot just for being Black.<\/p>\n\n\n\n<p>They\u2019re the only ones who have to have \u201cthe talk\u201d with their children. Watch this video from The New York Times if you don\u2019t know what that means.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"A Conversation With My Black Son | Op-Docs | The New York Times\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/lXgfX1y60Gw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>She then said that because of that, DEI programs should revolve <em>solely <\/em>around the Black experience. She may be wrong.<\/p>\n\n\n\n<p>I\u2019ve seen members of the LGBT community beaten and killed for being LGBT. I\u2019ve seen Latino people separated from their children, thrown into non-air-conditioned buildings in 100 \u2109 heat, and told to stay there for months.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/501c3.guru\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"915\" height=\"610\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/03\/Border-photo.jpg?resize=915%2C610&#038;ssl=1\" alt=\"\" class=\"wp-image-326\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/03\/Border-photo.jpg?w=915&amp;ssl=1 915w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/03\/Border-photo.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/03\/Border-photo.jpg?resize=768%2C512&amp;ssl=1 768w\" sizes=\"auto, (max-width: 915px) 100vw, 915px\" \/><\/a><figcaption class=\"wp-element-caption\">A group of migrants, fearing for their lives in their home countries, nears the US\/Mexican border (Pexels).<\/figcaption><\/figure>\n\n\n\n<p>I\u2019ve seen Asian Americans spat upon because, in some insane blame game, COVID likely started in a wet market in China. Indigenous people were nearly wiped out by white \u201csettlers\u201d (it\u2019s hard to imagine land that belongs to someone else being settled, but I digress), signed treaties that were broken by the US on a regular basis, and tossed into barren and ever-shrinking reservations that, when oil was found on them, were taken away.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/501c3.guru\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"688\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/03\/B08FBEE1-6A34-430B-8274-DDAF91EDB533_mw1024_s_n.jpg?resize=1024%2C688&#038;ssl=1\" alt=\"\" class=\"wp-image-327\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/03\/B08FBEE1-6A34-430B-8274-DDAF91EDB533_mw1024_s_n.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/03\/B08FBEE1-6A34-430B-8274-DDAF91EDB533_mw1024_s_n.jpg?resize=300%2C202&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/03\/B08FBEE1-6A34-430B-8274-DDAF91EDB533_mw1024_s_n.jpg?resize=768%2C516&amp;ssl=1 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><figcaption class=\"wp-element-caption\">A reservation in South Dakota (public domain)<\/figcaption><\/figure>\n\n\n\n<p>Muslims in America that decried the September 11, 2001 attacks as being against the Quran are still mistrusted and have their lives threatened on a daily basis. I\u2019ve seen Jewish people shot en masse for the crime of being Jewish, and antisemitic behavior is still considered acceptable by most people because, evidently, Jews have money, power, and control the banking systems of the world, and don\u2019t forget the embarrassment that is Marjorie Taylor Greene and her insane and very serious proclamation of Jewish Space Lasers.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/501c3.guru\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"921\" height=\"500\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/03\/Memorial-Pittsburgh.jpg?resize=921%2C500&#038;ssl=1\" alt=\"\" class=\"wp-image-328\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/03\/Memorial-Pittsburgh.jpg?w=921&amp;ssl=1 921w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/03\/Memorial-Pittsburgh.jpg?resize=300%2C163&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/03\/Memorial-Pittsburgh.jpg?resize=768%2C417&amp;ssl=1 768w\" sizes=\"auto, (max-width: 921px) 100vw, 921px\" \/><\/a><figcaption class=\"wp-element-caption\">Memorial outside the Tree of Life Congregation Synagogue in Pittsburgh, October 2018. (Official White House photo)<\/figcaption><\/figure>\n\n\n\n<p><em>[NOTE: please don\u2019t conflate \u201cJewish\u201d and \u201cIsrael.\u201d They are not synonymous, no matter what you\u2019ve heard\u200a\u2014\u200aeven from Jews or Israelis. Israel has only been a country since 1948. Antisemitism predates it by two thousand years or more. Most American Jews, especially those under the age of 50, do not see Israel as anything but a country that often does unspeakably horrible things. Most antisemitism comes from a different place altogether: the mistaken perception in the Christ story that the Jewish people killed Jesus; according to the doctrine of most Christians, the Romans did that. But hey, don\u2019t forget Martin Luther. And Henry Ford. And Coco Chanel. And Charles Lindbergh. And Roald Dahl. But I digress, yet again.]<\/em><\/p>\n\n\n\n<p>When my colleague tries to use the race issues of the Black people in America as some sort of race hierarchy, she doesn\u2019t do it out of malice. She\u2019s in pain. And she is not alone in thinking that Black stories should be the only equity stories that are told. She\u2019s been told to sit down and shut up.<\/p>\n\n\n\n<p>In the arts, especially the nonprofit arts, the cause of equity has engendered a crazy-quilt of rules (some positive, some negative, and some TBD). The difference in the audience response to such art is wildly different based on one small prepositional choice: \u201cwith\u201d or \u201cfor.\u201d<\/p>\n\n\n\n<p>In the theater, for example, plays <strong><em>with<\/em><\/strong> Black, LGBT, Jewish, Asian, Latino, and Indigenous characters are acceptable to most white audiences, as long as they\u2019re secondary to the main plot or theme. Even better if they\u2019re comedic sidekicks or they sing.<\/p>\n\n\n\n<p>On the other hand, plays <strong><em>about <\/em><\/strong>Black, LGBT, Jewish, Asian, Latino, and Indigenous characters are seen as culturally foreign, and therefore, too political for most white audiences. Especially if that same white audience is meant to care about the plight of the main characters. (There are a few exceptions, of course. But not all that many.)<\/p>\n\n\n\n<p>There is no real end to the work that needs to be done. Just do not fall into the trap of believing that any one racist element can be ignored. Those that want to destroy lives based on race, religion, orientation, or gender (both non-binary and binary) love it when their perceived enemies attack each other. It saves them the trouble.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/501c3.guru\/contact\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"58\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2022\/09\/Line-Flourish-2.png?resize=1024%2C58&#038;ssl=1\" alt=\"\" class=\"wp-image-73\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2022\/09\/Line-Flourish-2.png?resize=1024%2C58&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2022\/09\/Line-Flourish-2.png?resize=300%2C17&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2022\/09\/Line-Flourish-2.png?resize=768%2C44&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2022\/09\/Line-Flourish-2.png?w=1174&amp;ssl=1 1174w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><a href=\"https:\/\/ko-fi.com\/alanharrison\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2022\/10\/buy-me-a-coffee-for-bottom-of-ArtsJournal-articles.jpg?resize=521%2C276&#038;ssl=1\" alt=\"\" class=\"wp-image-157\" width=\"521\" height=\"276\"\/><\/a><\/figure>\n<\/div>\n\n\n<p><em>Based in Kirkland, Washington, <\/em><a href=\"https:\/\/501c3.guru\" rel=\"noreferrer noopener\" target=\"_blank\"><em>Alan Harrison<\/em><\/a><em> is a writer and speaker specializing in nonprofit organizations, strategy, the arts, and life politics. His columns appear regularly in major publications. Contact him directly at <\/em><a href=\"mailto:alan@501c3.guru\" target=\"_blank\" rel=\"noreferrer noopener\"><em>alan@501c3.guru.<\/em><\/a><\/p>\n\n\n\n<p><em>If you\u2019re feeling generous or inspired, just <\/em><a href=\"https:\/\/ko-fi.com\/alanharrison\" rel=\"noreferrer noopener\" target=\"_blank\"><em>click on the coffee cup<\/em><\/a><em> above. You don\u2019t have to, of course, but if you can afford it and find some value here, please provide the desperate need for caffeine.<\/em><\/p>\n\n\n\n<p><em>Alan is always looking for good opportunities to write and consult for nonprofits that need a hand. And, of course, that elusive <\/em><strong><em>Perfect Opportunity\u2122.<\/em><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"58\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2022\/09\/Line-Flourish-2.png?resize=1024%2C58&#038;ssl=1\" alt=\"\" class=\"wp-image-73\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2022\/09\/Line-Flourish-2.png?resize=1024%2C58&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2022\/09\/Line-Flourish-2.png?resize=300%2C17&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2022\/09\/Line-Flourish-2.png?resize=768%2C44&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2022\/09\/Line-Flourish-2.png?w=1174&amp;ssl=1 1174w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/www.elliottbaybook.com\/item\/WepMITbQuyd1Ad_8fzXNLQ\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/03\/COVER-ART-for-ArtsJournal.jpg?resize=370%2C571&#038;ssl=1\" alt=\"\" class=\"wp-image-329\" width=\"370\" height=\"571\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/03\/COVER-ART-for-ArtsJournal.jpg?w=648&amp;ssl=1 648w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/03\/COVER-ART-for-ArtsJournal.jpg?resize=194%2C300&amp;ssl=1 194w\" sizes=\"auto, (max-width: 370px) 100vw, 370px\" \/><\/a><\/figure>\n<\/div>\n\n\n<h4 class=\"wp-block-heading\"><strong>BIG NEWS: Alan\u2019s new book, \u201cScene Change: Why Today\u2019s Nonprofit Arts Organizations Have to Stop Producing Art and Start Producing Impact\u201d will be published in January. <\/strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.elliottbaybook.com\/item\/WepMITbQuyd1Ad_8fzXNLQ\" data-type=\"URL\" data-id=\"https:\/\/www.elliottbaybook.com\/item\/WepMITbQuyd1Ad_8fzXNLQ\" target=\"_blank\"><strong>CLICK HERE TO PRE-ORDER IN THE UNITED STATES.<\/strong><\/a><strong> If you live in the UK, <\/strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.johnhuntpublishing.com\/changemakers-books\/our-books\/scene-change-nonprofit-organizations\" target=\"_blank\"><strong>CLICK\u00a0HERE<\/strong><\/a><strong>.<\/strong><\/h4>\n\n\n\n<p><strong>Alan will be speaking on May 19 at the <\/strong><a href=\"https:\/\/nonprofitwa.org\/washington-state-nonprofit-conference\/\" rel=\"noreferrer noopener\" target=\"_blank\"><strong>Washington State Nonprofit Conference<\/strong><\/a><strong> at the Marriott Hotel in downtown Tacoma, WA. The publisher has pre-printed a LIMITED NUMBER of books so that attendees can purchased a signed copy right there at the event.<\/strong><\/p>\n\n\n\n<p><strong>A few more copies may be made available for those booking conferences, reading engagements, and speaking engagements. Recruit your local bookstore, conference panel, or boardroom to get a visit from Alan. Let Alan know if you want <\/strong><a href=\"mailto:alan@501c3.guru\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>bulk copies for your board!<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>DEI is not a contest BETWEEN. It\u2019s a contest\u00a0FOR.<\/p>\n","protected":false},"author":2,"featured_media":325,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[21,29,28,19,18,17],"tags":[52],"class_list":{"0":"post-324","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-culture","8":"category-dei","9":"category-diversity-equity-inclusion","10":"category-leadership","11":"category-nonprofit","12":"category-nonprofit-arts-organizations","13":"tag-racism","14":"entry"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/03\/alphabet-letters.jpg?fit=1200%2C858&ssl=1","jetpack-related-posts":[{"id":1048,"url":"https:\/\/www.artsjournal.com\/scenechange\/2024\/09\/17\/nonprofit-arts-organizations-whats-a-community\/","url_meta":{"origin":324,"position":0},"title":"Nonprofit Arts Organizations: What\u2019s a \u201cCommunity?\u201d","author":"Alan Harrison","date":"September 17, 2024","format":false,"excerpt":"Say it, out loud. What is the definition of \u201ccommunity\u201d to your nonprofit arts organization? It may not be the community to which you claim membership.","rel":"","context":"In &quot;Arts and Culture&quot;","block_context":{"text":"Arts and Culture","link":"https:\/\/www.artsjournal.com\/scenechange\/category\/arts-and-culture\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/09\/inigo-square.jpg?fit=1000%2C864&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/09\/inigo-square.jpg?fit=1000%2C864&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/09\/inigo-square.jpg?fit=1000%2C864&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/09\/inigo-square.jpg?fit=1000%2C864&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1377,"url":"https:\/\/www.artsjournal.com\/scenechange\/2025\/05\/20\/no-just-no\/","url_meta":{"origin":324,"position":1},"title":"No. Just No.","author":"Alan Harrison","date":"May 20, 2025","format":false,"excerpt":"Opinion is not fact. It\u2019s opinion. It\u2019s right there in the word.","rel":"","context":"In &quot;Arts and Culture&quot;","block_context":{"text":"Arts and Culture","link":"https:\/\/www.artsjournal.com\/scenechange\/category\/arts-and-culture\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/04\/Whistling-Dixie-is-an-art-form.jpg?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/04\/Whistling-Dixie-is-an-art-form.jpg?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/04\/Whistling-Dixie-is-an-art-form.jpg?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/04\/Whistling-Dixie-is-an-art-form.jpg?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/04\/Whistling-Dixie-is-an-art-form.jpg?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":809,"url":"https:\/\/www.artsjournal.com\/scenechange\/2024\/03\/19\/nonprofit-arts-marketing-drive-for-image-first-the-road-to-revenue-follows\/","url_meta":{"origin":324,"position":2},"title":"Nonprofit Arts Marketing \u2013 Drive for Image First; The Road to Revenue Follows","author":"Alan Harrison","date":"March 19, 2024","format":false,"excerpt":"So, here\u2019s the scoop on nonprofit arts marketing: it\u2019s about crafting and trumpeting the image of the organization, not \u201csell tickets.\u201d Tickets are a byproduct.","rel":"","context":"In &quot;Arts and Culture&quot;","block_context":{"text":"Arts and Culture","link":"https:\/\/www.artsjournal.com\/scenechange\/category\/arts-and-culture\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/02\/pexels-lisa-fotios-3616628.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/02\/pexels-lisa-fotios-3616628.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/02\/pexels-lisa-fotios-3616628.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/02\/pexels-lisa-fotios-3616628.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/02\/pexels-lisa-fotios-3616628.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1079,"url":"https:\/\/www.artsjournal.com\/scenechange\/2024\/11\/05\/why-does-transforming-a-country-of-donwanus-takes-just-as-much-effort-than-transforming-a-nonprofit-arts-industry-of-donwanus\/","url_meta":{"origin":324,"position":3},"title":"Why Does Transforming a Country of D\u014dnW\u00e4n\u00fcs Take Just as Much Effort Than Transforming a Nonprofit Arts Industry of D\u014dnW\u00e4n\u00fcs?","author":"Alan Harrison","date":"November 5, 2024","format":false,"excerpt":"Today is election day. Elect to quash the D\u014dnW\u00e4n\u00fcs and their toxicity.","rel":"","context":"In &quot;Arts and Culture&quot;","block_context":{"text":"Arts and Culture","link":"https:\/\/www.artsjournal.com\/scenechange\/category\/arts-and-culture\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/10\/I-donwanu.jpg?fit=1000%2C952&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/10\/I-donwanu.jpg?fit=1000%2C952&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/10\/I-donwanu.jpg?fit=1000%2C952&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/10\/I-donwanu.jpg?fit=1000%2C952&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":993,"url":"https:\/\/www.artsjournal.com\/scenechange\/2024\/09\/03\/scene-change-2-now-available-for-preorder\/","url_meta":{"origin":324,"position":4},"title":"Scene Change 2 Now Available for Preorder","author":"Alan Harrison","date":"September 3, 2024","format":false,"excerpt":"As a follow-up and companion to the book SCENE CHANGE, I have just completed SCENE CHANGE 2.","rel":"","context":"In &quot;Arts and Culture&quot;","block_context":{"text":"Arts and Culture","link":"https:\/\/www.artsjournal.com\/scenechange\/category\/arts-and-culture\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/08\/COVER-Art-Scene-Change-2.jpg?fit=778%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/08\/COVER-Art-Scene-Change-2.jpg?fit=778%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/08\/COVER-Art-Scene-Change-2.jpg?fit=778%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/08\/COVER-Art-Scene-Change-2.jpg?fit=778%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":208,"url":"https:\/\/www.artsjournal.com\/scenechange\/2023\/01\/24\/those-people-does-your-arts-organization-understand-equity-really\/","url_meta":{"origin":324,"position":5},"title":"\u201cThose People\u201d &#8211; Does Your Arts Organization Understand Equity? Really?","author":"Alan Harrison","date":"January 24, 2023","format":false,"excerpt":"So why do some board members, executive directors, and other nonprofit arts folks feel so empowered as to speak for those people in their own community who do not share their background, experience, and, let\u2019s face it, their privilege? Not only empowered, but confident in their opinion about \u201cthose people.\u201d","rel":"","context":"In &quot;Arts and Culture&quot;","block_context":{"text":"Arts and Culture","link":"https:\/\/www.artsjournal.com\/scenechange\/category\/arts-and-culture\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2022\/11\/pexels-los-muertos-crew-7613564.jpg?fit=1200%2C801&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2022\/11\/pexels-los-muertos-crew-7613564.jpg?fit=1200%2C801&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2022\/11\/pexels-los-muertos-crew-7613564.jpg?fit=1200%2C801&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2022\/11\/pexels-los-muertos-crew-7613564.jpg?fit=1200%2C801&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2022\/11\/pexels-los-muertos-crew-7613564.jpg?fit=1200%2C801&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/scenechange\/wp-json\/wp\/v2\/posts\/324","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/scenechange\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/scenechange\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/scenechange\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/scenechange\/wp-json\/wp\/v2\/comments?post=324"}],"version-history":[{"count":6,"href":"https:\/\/www.artsjournal.com\/scenechange\/wp-json\/wp\/v2\/posts\/324\/revisions"}],"predecessor-version":[{"id":380,"href":"https:\/\/www.artsjournal.com\/scenechange\/wp-json\/wp\/v2\/posts\/324\/revisions\/380"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/scenechange\/wp-json\/wp\/v2\/media\/325"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/scenechange\/wp-json\/wp\/v2\/media?parent=324"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/scenechange\/wp-json\/wp\/v2\/categories?post=324"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/scenechange\/wp-json\/wp\/v2\/tags?post=324"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}