{"id":1295,"date":"2025-05-14T13:00:00","date_gmt":"2025-05-14T13:00:00","guid":{"rendered":"https:\/\/www.artsjournal.com\/scenechange\/?p=1295"},"modified":"2025-03-27T06:38:31","modified_gmt":"2025-03-27T06:38:31","slug":"im-not-angry-im-batman","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/scenechange\/2025\/05\/14\/im-not-angry-im-batman\/","title":{"rendered":"I\u2019m Not Angry. I\u2019m Batman."},"content":{"rendered":"\n<p class=\"has-large-font-size\"><strong>I\u2019m just trying to help save the nonprofit arts industry from its own worst impulses. Where\u2019s my utility belt, Alfred?!<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/501c3.guru\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/01\/Bat-signal.jpg?resize=1024%2C576&#038;ssl=1\" alt=\"\" class=\"wp-image-1296\" style=\"width:1170px;height:auto\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/01\/Bat-signal.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/01\/Bat-signal.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/01\/Bat-signal.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/01\/Bat-signal.jpg?w=1400&amp;ssl=1 1400w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><figcaption class=\"wp-element-caption\">My red phone rang for 30 years. It was time to answer it. (Image by Balsavor from DeviantArt, licensed under CC BY-ND 3.0)<\/figcaption><\/figure>\n\n\n\n<p>It always happens.<\/p>\n\n\n\n<p>Whenever I am asked to speak to a group or I write an article or a book, there are those that get caught in the invectives. They get angry because they feel attacked rather than advised. And inevitably, these are the people in the crowd doing the right things in leading their nonprofit arts organizations, or at least enough of the right things. They may not be perfect (no one is, and no organization is), but they understand that their community is the one who granted them the power to be exempt from some taxes and therefore are their bosses.<\/p>\n\n\n\n<p>Sadly and predictably, the larger \u201cflagship,\u201d \u201cvenerable,\u201d and \u201clongtime\u201d organizations \u2014 the ones who practice the kind of toxic leadership, elitist donorship, and non-charitable activities \u2014 are the same ones who believe that these invectives are definitely not about them. They almost always are.<\/p>\n\n\n\n<p>It&#8217;s an easy concept to understand and, to quote <a href=\"https:\/\/www.bobsutton.net\/\">Professor Robert I. (Bob) Sutton<\/a>, one of the great leadership thinkers in the US:<\/p>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>\u201cThe best leaders and experts have confidence to act on what they believe, and the humility to know (and act) as if they might be wrong. To \u2018argue as if they are right and listen as if they are wrong.\u2019 I confess, however, that \u2014 for me \u2014 saying this stuff is a lot easier than doing it.\u201d<\/p><\/blockquote><\/figure>\n\n\n\n<p>Saying this stuff is a lot easier than doing it. I should know; I worked in the nonprofit arts industry for about 30 years, and I didn\u2019t get it until after I was done. When I am asked in an interview or a podcast about the audience for my books, my quick response is that I\u2019ve written them for the 30-year-old me, that guy who\u2019d just become a department head for the first time. If I knew then what I know now, as the saying goes\u2026<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/501c3.guru\/scene-change\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"680\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/01\/Bomb.jpg?resize=800%2C680&#038;ssl=1\" alt=\"\" class=\"wp-image-1297\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/01\/Bomb.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/01\/Bomb.jpg?resize=300%2C255&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/01\/Bomb.jpg?resize=768%2C653&amp;ssl=1 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><figcaption class=\"wp-element-caption\">Bomb throwers from the past. Note how I\u2019m not present in the picture. (public domain)<\/figcaption><\/figure>\n\n\n\n<p><br>Some readers have railed, \u201cyou are a bomb-throwing provocateur,\u201d \u201cyou\u2019re out of your mind,\u201d \u201cyou\u2019ve gone off the deep end,\u201d and simply \u201cyou\u2019re angry at everybody.\u201d I\u2019ve been told that my work is somehow revenge-driven and, more than once, I\u2019ve been accused of never having been in the business in the first place (and therefore, unqualified to write about it).<\/p>\n\n\n\n<p>I might be some of those things. Not the last one, of course, because 30 years is 30 years, good and bad. Certainly, it has not been an easy task to call attention to bad acts of an entire industry in order to stop it from closing prematurely. Or to call out people who are ruining it for everyone.<\/p>\n\n\n\n<p>It\u2019s not about now; it\u2019s about the future.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/501c3.guru\/scene-change\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"156\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/11\/click-here-for-scene-change.jpg?resize=1024%2C156&#038;ssl=1\" alt=\"\" class=\"wp-image-1173\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/11\/click-here-for-scene-change-scaled.jpg?resize=1024%2C156&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/11\/click-here-for-scene-change-scaled.jpg?resize=300%2C46&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/11\/click-here-for-scene-change-scaled.jpg?resize=768%2C117&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/11\/click-here-for-scene-change-scaled.jpg?resize=1536%2C234&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/11\/click-here-for-scene-change-scaled.jpg?resize=2048%2C312&amp;ssl=1 2048w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Alas, I can see a future \u2014 one or two generations from now \u2014 in which people look back on live performances and exhibits with a warm glow, as something that used to happen and \u201cwasn\u2019t that nice.\u201d Like talking on the landline with your girlfriend or boyfriend for hours at a time. Or watching television as an appointment event, knowing that <em>Friends<\/em> or <em>Cosby<\/em> was on Thursday nights. Just like our parents, grandparents, and great-grandparents looked back on vaudeville, Jack Benny, The Marx Brothers, <em>The Shadow<\/em>, and sitting at the table at dinnertime to discuss the day. And previous generations looked back at ice cream socials, talking with neighbors from the front porch, and telling family stories at the big Sunday dinner at the patriarch\u2019s and matriarch\u2019s house every week.<\/p>\n\n\n\n<p>Future generations might look back on live performances and exhibitions as quaint reminders that art used to be used as a tool of meaning, not as a panacea for stress. Attending was inconvenient, and yet the inconvenience was worth it because of the stories that changed your life for the better. You had to sit in a room bedecked with red velvet or go to a strange thing called a museum or gallery and walk around with strangers looking at paint or steel or wax or marble or some other medium becoming something else.<\/p>\n\n\n\n<p>Soon enough, all art will be accessed individually, either electronically or through some technology yet to be invented, and it will serve those who sell it, not those who see it. Yet, there will be those who, like the famous frogs-in-boiling-water parable, will not notice the elimination of the public spirit until it\u2019s too late.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/501c3.guru\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"991\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/01\/DonkeyHotey-frog.jpg?resize=1000%2C991&#038;ssl=1\" alt=\"\" class=\"wp-image-1298\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/01\/DonkeyHotey-frog.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/01\/DonkeyHotey-frog.jpg?resize=300%2C297&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/01\/DonkeyHotey-frog.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/01\/DonkeyHotey-frog.jpg?resize=768%2C761&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/01\/DonkeyHotey-frog.jpg?resize=100%2C100&amp;ssl=1 100w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><figcaption class=\"wp-element-caption\">Ribit. (\u201cBoiling Frog\u201d by DonkeyHotey is licensed under CC BY-SA 2.0.)<\/figcaption><\/figure>\n\n\n\n<p><br>I hate having that thought.<\/p>\n\n\n\n<p>Hence, I\u2019m going to continue to shout about using art as a tool (and not as a product) to battle inequity, insecurity, injustice, and lifting the lives of those at the bottom of Maslow\u2019s Hierarchy until dementia forces me to stop knowing what words mean. Lord knows I don\u2019t make money at this, nor do I expect to leave some legacy. I just believe, as so many of you tell me you do on those good days, that the nonprofit arts industry was meant to use the 501(C)(3) code as a guide. Nonprofit arts organizations don\u2019t <em>have<\/em> to do that to maintain nonprofit status (there was a court case that said so); but they\u2019re just lousy when they don\u2019t and, it follows, don\u2019t deserve to be funded just by being large or branded as a 501(C)(3).<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/501c3.guru\/scene-change\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"995\" height=\"547\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/01\/Wamu.jpg?resize=995%2C547&#038;ssl=1\" alt=\"\" class=\"wp-image-1299\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/01\/Wamu.jpg?w=995&amp;ssl=1 995w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/01\/Wamu.jpg?resize=300%2C165&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/01\/Wamu.jpg?resize=768%2C422&amp;ssl=1 768w\" sizes=\"auto, (max-width: 995px) 100vw, 995px\" \/><\/a><figcaption class=\"wp-element-caption\">How long did it take Americans to understand that \u201ctoo large to fail\u201d was just an invitation to corruption? And how many lost their life savings because of it? (\u201cWashington Mutual branch in San Jose, California\u201d by Coolcaesar at English Wikipedia is licensed under CC BY-SA 3.0.)<\/figcaption><\/figure>\n\n\n\n<p><br>Just because a restaurant exists doesn\u2019t mean you have to eat there, even if it\u2019s been there a long time and used to be good. And just because a large nonprofit in your community \u2014 your venerable orchestra, your flagship theater, your established opera, your 75-year-old ballet, your city-branded museum, etc. \u2014 is legally a nonprofit doesn\u2019t mean that their activities are worth supporting if they don\u2019t help anyone but the donors that contribute (plaques on the wall, names on the seats, better seats, dinner with the director, etc.).<\/p>\n\n\n\n<p>If you are a funder, all I ask is that you treat your nonprofit arts organizations the same way you treat all the other nonprofit organizations in your community \u2014 <strong><em>looking at their impact, not their paid attendance, economic impact, or national data on education issues<\/em><\/strong>. You\u2019ll discover that there are a few organizations doing charitable things for people who need them. If you\u2019re a government funder, <strong><em>stop asking about irrelevant metrics like tourism results<\/em><\/strong> (out-of-town ticket sales) and focus on your own community. Tourism is not a nonprofit metric and any nonprofit arts organization that uses tourism results as a primary goal is not really a charity, is it?<\/p>\n\n\n\n<p>If you run one of the worthy organizations, keep it up. No one\u2019s mad at <em>you<\/em>, for Pete\u2019s sake. In fact, let me know how I can highlight your impact on your chosen community. Tell me what you did, why it was important, and how people benefited from your art in tangible terms. I\u2019d be thrilled to pass along those data.<\/p>\n\n\n\n<p>As larger organizations continue to drown in the toxic, elitist toilet they\u2019ve built for themselves, our job is to save the industry from their bad acts. Gravitational irresponsibility is strong among grand, meaningless companies. Unfortunately, it might even sweep your company (good as it is) down the whirlpool of irrelevance along with them. So, it\u2019s important to make noise as well, even if you\u2019re already doing the right thing. Otherwise, vaudeville.<\/p>\n\n\n\n<p>Now, back to the Bat Cave to celebrate my birthday today (May 14). I will have pie, not cake. I like pie. Now, where did I put those darn bomb fuses\u2026?<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/501c3.guru\/scene-change\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"722\" height=\"1000\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/11\/Kirkus-Review-ad.jpg?resize=722%2C1000&#038;ssl=1\" alt=\"\" class=\"wp-image-1121\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/11\/Kirkus-Review-ad.jpg?w=722&amp;ssl=1 722w, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/11\/Kirkus-Review-ad.jpg?resize=217%2C300&amp;ssl=1 217w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><\/a><figcaption class=\"wp-element-caption\">It&#8217;s my birthday. This year, I want you to get these books for yourself. I make almost no money off this (it&#8217;s virtually pennies), but the industry gets better off, which is all I <strong>really<\/strong> want.<\/figcaption><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/ko-fi.com\/alanharrison\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/06\/buy-me-a-coffee-for-bottom-of-ArtsJournal-articles.jpg?ssl=1\" alt=\"\" class=\"wp-image-972\" style=\"width:727px;height:auto\"\/><\/a><figcaption class=\"wp-element-caption\">It&#8217;s my birthday. The least you could do is buy me a birthday java, right?<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Saying this stuff is a lot easier than doing it.<\/p>\n","protected":false},"author":2,"featured_media":1296,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[21,20,22,100,40,32,23,19,18,17,99],"tags":[10,50,43],"class_list":{"0":"post-1295","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-culture","8":"category-board-of-directors","9":"category-board-of-trustees","10":"category-book-recommendation","11":"category-change","12":"category-charity","13":"category-executive-director","14":"category-leadership","15":"category-nonprofit","16":"category-nonprofit-arts-organizations","17":"category-scene-change","18":"tag-impact","19":"tag-nonprofit-management","20":"tag-writing","21":"entry"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/01\/Bat-signal.jpg?fit=1400%2C788&ssl=1","jetpack-related-posts":[{"id":1683,"url":"https:\/\/www.artsjournal.com\/scenechange\/2025\/12\/30\/scene-change-3-just-named-to-kirkus-reviews-25-best-indies-of-2025\/","url_meta":{"origin":1295,"position":0},"title":"&#8220;SCENE CHANGE 3&#8221; Just Named to Kirkus Reviews&#8217; &#8220;25 Best Indies of 2025!&#8221;","author":"Alan Harrison","date":"December 30, 2025","format":false,"excerpt":"If you're serious about succeeding as a nonprofit arts organization, you're going to want to pick up the trilogy at your favorite bookstore.","rel":"","context":"In &quot;Arts and Culture&quot;","block_context":{"text":"Arts and Culture","link":"https:\/\/www.artsjournal.com\/scenechange\/category\/arts-and-culture\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/12\/Scene-change-3-with-sky.jpg?fit=1200%2C640&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/12\/Scene-change-3-with-sky.jpg?fit=1200%2C640&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/12\/Scene-change-3-with-sky.jpg?fit=1200%2C640&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/12\/Scene-change-3-with-sky.jpg?fit=1200%2C640&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/12\/Scene-change-3-with-sky.jpg?fit=1200%2C640&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1517,"url":"https:\/\/www.artsjournal.com\/scenechange\/2025\/10\/07\/a-punchy-outspoken-argument-for-how-nonprofit-arts-organizations-should-be-run\/","url_meta":{"origin":1295,"position":1},"title":"&#8220;A PUNCHY, OUTSPOKEN ARGUMENT FOR HOW NONPROFIT ARTS ORGANIZATIONS SHOULD BE RUN.&#8221;","author":"Alan Harrison","date":"October 7, 2025","format":false,"excerpt":"\"An example-driven new map to success in the realm of nonprofit theater.\" \u2014 Kirkus Reviews.","rel":"","context":"In &quot;Arts and Culture&quot;","block_context":{"text":"Arts and Culture","link":"https:\/\/www.artsjournal.com\/scenechange\/category\/arts-and-culture\/"},"img":{"alt_text":"Scene Change, Scene Change 2, and Scene Change 3 - 3 books to improve your arts organization","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/06\/3-book-titles.jpg?fit=1200%2C606&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/06\/3-book-titles.jpg?fit=1200%2C606&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/06\/3-book-titles.jpg?fit=1200%2C606&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/06\/3-book-titles.jpg?fit=1200%2C606&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2025\/06\/3-book-titles.jpg?fit=1200%2C606&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":993,"url":"https:\/\/www.artsjournal.com\/scenechange\/2024\/09\/03\/scene-change-2-now-available-for-preorder\/","url_meta":{"origin":1295,"position":2},"title":"Scene Change 2 Now Available for Preorder","author":"Alan Harrison","date":"September 3, 2024","format":false,"excerpt":"As a follow-up and companion to the book SCENE CHANGE, I have just completed SCENE CHANGE 2.","rel":"","context":"In &quot;Arts and Culture&quot;","block_context":{"text":"Arts and Culture","link":"https:\/\/www.artsjournal.com\/scenechange\/category\/arts-and-culture\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/08\/COVER-Art-Scene-Change-2.jpg?fit=778%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/08\/COVER-Art-Scene-Change-2.jpg?fit=778%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/08\/COVER-Art-Scene-Change-2.jpg?fit=778%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/08\/COVER-Art-Scene-Change-2.jpg?fit=778%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":989,"url":"https:\/\/www.artsjournal.com\/scenechange\/2024\/07\/01\/this-just-in-a-new-and-unedited-review-for-scene-change\/","url_meta":{"origin":1295,"position":3},"title":"This Just In: A New (and Unedited) Review for \u201cSCENE CHANGE\u201d","author":"Alan Harrison","date":"July 1, 2024","format":false,"excerpt":"\"It clearly comes from a place of love for the subversive and utopian possibilities of the arts.\"","rel":"","context":"In &quot;Arts and Culture&quot;","block_context":{"text":"Arts and Culture","link":"https:\/\/www.artsjournal.com\/scenechange\/category\/arts-and-culture\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/07\/Collective-Ink-Book-Cover.jpg?fit=1080%2C1080&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/07\/Collective-Ink-Book-Cover.jpg?fit=1080%2C1080&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/07\/Collective-Ink-Book-Cover.jpg?fit=1080%2C1080&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/07\/Collective-Ink-Book-Cover.jpg?fit=1080%2C1080&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2024\/07\/Collective-Ink-Book-Cover.jpg?fit=1080%2C1080&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":457,"url":"https:\/\/www.artsjournal.com\/scenechange\/2023\/06\/20\/warning-the-following-column-was-completely-written-by-a-i-as-such-it-should-terrify-you\/","url_meta":{"origin":1295,"position":4},"title":"Warning: The Following Column Was Completely Written by A.I. As Such, It Should Terrify You.","author":"Alan Harrison","date":"June 20, 2023","format":false,"excerpt":"For my nonprofit arts colleagues worldwide who are agonizing over whether they might be replaced, be assured. You likely will.","rel":"","context":"In &quot;Arts and Culture&quot;","block_context":{"text":"Arts and Culture","link":"https:\/\/www.artsjournal.com\/scenechange\/category\/arts-and-culture\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/05\/Enhanced-AI-typing.jpg?fit=1200%2C711&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/05\/Enhanced-AI-typing.jpg?fit=1200%2C711&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/05\/Enhanced-AI-typing.jpg?fit=1200%2C711&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/05\/Enhanced-AI-typing.jpg?fit=1200%2C711&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/05\/Enhanced-AI-typing.jpg?fit=1200%2C711&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":627,"url":"https:\/\/www.artsjournal.com\/scenechange\/2023\/11\/28\/nonprofit-arts-organizations-in-2024-theres-going-to-be-a-lot-of-noise-take-advantage\/","url_meta":{"origin":1295,"position":5},"title":"Nonprofit Arts Organizations: In 2024, There\u2019s Going to Be a Lot of Noise. Take Advantage.","author":"Alan Harrison","date":"November 28, 2023","format":false,"excerpt":"Take the time to understand that your art is not your company\u2019s product. Impact is, whether you want it to be or not.","rel":"","context":"In &quot;Arts and Culture&quot;","block_context":{"text":"Arts and Culture","link":"https:\/\/www.artsjournal.com\/scenechange\/category\/arts-and-culture\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/09\/man-5545037_1920.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/09\/man-5545037_1920.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/09\/man-5545037_1920.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/09\/man-5545037_1920.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/scenechange\/wp-content\/uploads\/2023\/09\/man-5545037_1920.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/scenechange\/wp-json\/wp\/v2\/posts\/1295","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/scenechange\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/scenechange\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/scenechange\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/scenechange\/wp-json\/wp\/v2\/comments?post=1295"}],"version-history":[{"count":3,"href":"https:\/\/www.artsjournal.com\/scenechange\/wp-json\/wp\/v2\/posts\/1295\/revisions"}],"predecessor-version":[{"id":1362,"href":"https:\/\/www.artsjournal.com\/scenechange\/wp-json\/wp\/v2\/posts\/1295\/revisions\/1362"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/scenechange\/wp-json\/wp\/v2\/media\/1296"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/scenechange\/wp-json\/wp\/v2\/media?parent=1295"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/scenechange\/wp-json\/wp\/v2\/categories?post=1295"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/scenechange\/wp-json\/wp\/v2\/tags?post=1295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}