Artists matter more than any producing organization. In recent articles, as we’ve discussed the ways in which nonprofit arts organizations have, in the main, chosen to be irrelevant to their charter, their communities, and their owners (the states in which they incorporated), several performing artists have written in with some terror in their subtext, that pointing out … [Read more...] about Nonprofit Arts Organizations Don’t Support Artists; They Employ Them
Board of Directors
Nonprofit Arts Organizations: What’s a “Community?”
“Community” ≠ “Constituency.” And it’s certainly ≠ “Audience.” IYKYK. It’s not altogether clear that nonprofit arts organizations know what “community” means to their organization. They may have a dictionary definition at the ready, or some parsed-out word salad to describe the community of people they seek, but rarely do they describe the community (or communities) that … [Read more...] about Nonprofit Arts Organizations: What’s a “Community?”
Scene Change 2 Now Available for Preorder
Assuming that your board has no clear sense of why they’re representing their nonprofit arts organization’s work, there’s a handbook for that. The first essay of the school year is usually some throwaway set of paragraphs entitled, “How I Spent My Summer Vacation.” This is kinda that. I’ve been exceptionally busy over the last month doing podcasts, interviews, and signings … [Read more...] about Scene Change 2 Now Available for Preorder
Last of the Summer Whine
The seven attributes of a successful nonprofit arts organization. You gotta do all seven to win. Before I take off for a month, I thought I’d let you in on the secret to success for nonprofit arts organizations. Note how “raising money” is not among the things on the list. That’s a business practice, not an attribute of success. Of course you’ll have to raise money! That … [Read more...] about Last of the Summer Whine
This Just In: A New (and Unedited) Review for “SCENE CHANGE”
Many in the nonprofit arts sector will decry this manifesto as heresy, only validating its necessity. Harrison presents a radical new vision for nonprofit arts organizations in this nonfiction work. Drawing on his 30 years of experience in nonprofit theater, the author breaks down, in easy-to-understand language, the United States tax code and the ways in which … [Read more...] about This Just In: A New (and Unedited) Review for “SCENE CHANGE”