{"id":979,"date":"2010-08-31T11:14:56","date_gmt":"2010-08-31T15:14:56","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2010\/08\/nixonland\/"},"modified":"2010-08-31T11:14:56","modified_gmt":"2010-08-31T15:14:56","slug":"nixonland","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2010\/08\/nixonland\/","title":{"rendered":"NIXONLAND: EBOOKS OF ALTIMIRA"},"content":{"rendered":"<p align=\"center\"><object id=\"flashObj\" classid=\"clsid:D27CDB6E-AE6D-11cf-96B8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=9,0,47,0\" height=\"243\" width=\"350\"><param name=\"movie\" value=\"http:\/\/c.brightcove.com\/services\/viewer\/federated_f9?isVid=1\" \/><param name=\"bgcolor\" value=\"#FFFFFF\" \/><param name=\"flashVars\" value=\"videoId=292196914001&amp;linkBaseURL=http%3A%2F%2Fwww.simonandschuster.com%2Fmultimedia%3Fvideo%3D292196914001&amp;playerID=2281217001&amp;playerKey=AQ%2E%2E,AAAAAGF4K-k%2E,kv7GNuiTi7CpjmDZQ0D07TB_3A6MnYYS&amp;domain=embed&amp;dynamicStreaming=true\" \/><param name=\"base\" value=\"http:\/\/admin.brightcove.com\" \/><param name=\"seamlesstabbing\" value=\"false\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"swLiveConnect\" value=\"true\" \/><param name=\"allowScriptAccess\" value=\"always\" \/><embed src=\"http:\/\/c.brightcove.com\/services\/viewer\/federated_f9?isVid=1\" bgcolor=\"#FFFFFF\" flashvars=\"videoId=292196914001&amp;linkBaseURL=http%3A%2F%2Fwww.simonandschuster.com%2Fmultimedia%3Fvideo%3D292196914001&amp;playerID=2281217001&amp;playerKey=AQ%2E%2E,AAAAAGF4K-k%2E,kv7GNuiTi7CpjmDZQ0D07TB_3A6MnYYS&amp;domain=embed&amp;dynamicStreaming=true\" base=\"http:\/\/admin.brightcove.com\" name=\"flashObj\" seamlesstabbing=\"false\" type=\"application\/x-shockwave-flash\" allowfullscreen=\"true\" swliveconnect=\"true\" allowscriptaccess=\"always\" pluginspage=\"http:\/\/www.macromedia.com\/shockwave\/download\/index.cgi?P1_Prod_Version=ShockwaveFlash\" height=\"243\" width=\"350\"><\/object><\/p>\n<p><strong><em>A vastly entertaining and meticulously documented narrative detailing the fear and loathing behind the Bush-bashing bumper sticker from a couple years back: &#8220;I never thought I&#8217;d miss Nixon&#8230;<\/em><\/strong>&#8221; <\/p>\n<p>Why do the most advanced, &#8220;enhanced&#8221; ebooks already seem prehistoric? <strong>Nixonland<\/strong> accomplishes the crudest integration of prose with CBS news footage, so Perlstein&#8217;s roaring descriptions of Kennedy-Nixon debates lets you click on the actual clip and watch the sweat drip from the fabled Milhaus brow. At the same time, it suggest all kinds of new possibilities: in five years, this &#8220;enhanced&#8221; ebook will look like a cave drawing. It allows multiple bookmarks and highlighting, and then keeps track of your highlights so you don&#8217;t have to page through to find them later. This feature is counter-intuitively listed beneath the bookmarks features in the Table of Contents. <\/p>\n<p>But it also makes you want more. Here&#8217;s three new features the thinking reader wants from new edition ebooks:<\/p>\n<p>1. Footnote integration: come on, this is just lame not to be here already. Let us click on a footnote (or embedded reference) and have the note come up on top of the text for handy reference.<\/p>\n<p>2. Allow for &#8220;copy text&#8221; to the clipboard, so you can take a favorite passage and send it to a friend, or put it in your OWN write-up of the book. (Yes, this will definitely lead to people copying entire manuscripts, repackaging them and selling them for profit.)<\/p>\n<p>3. No index? Are you serious? No index? Only slightly absolved by robust search function. No index? Can that editor. <\/p>\n<p>\n<em>Some Favorite Perlstein passages&#8230;<\/em><\/p>\n<p>Another reason widespread campus protests were not &#8220;elitist,&#8221; random, or somehow unjustified: &#8220;General Lewis B. Hershey, director of the nation&#8217;s Selective Service System, announced that universities must hand over class ranks to draft boards so they could cancel the deferments of college students with bad grades&#8230;&#8221; p. 305. <\/p>\n<p>Unidentified news reporters, on the New York City blackout of 1965: &#8220;The anti-Vietnam demonstrators have pulled something off&#8221; p. 306<\/p>\n<p>Nixon got his campaign slogan from AFL-CIO president George Meany, &#8220;the vast, silent majority in the nation&#8221; p. 787.<\/p>\n<p>&#8220;To the young American&#8217;s who&#8217;d been dancing in the streets on March 31, having forced the architect of an illegal and unjust war out of politics fair and square, the sight of the &#8216;old politics&#8217; Democratic Establishment falling in behind Humphrey was like watching a salamander grow a new tail when they thought they had killed off the beast&#8221; p. 1001. <\/p>\n<p>And finally, the pearly quote Mayor Daley mouthed towards Senator Ribicoff on prime-time television, the money shot, the invisible curse where Nixon saw his opening, Daley&#8217;s mouth wrapped around a hatred so abrupt and impregnable it needs no articulation, except for how juicy is looks in print after almost half a century: &#8220;Fuck you, you Jew son of a btich, you lousy motherfucker, go home,&#8221; p. 1216. <\/p>\n<fieldset class=\"zemanta-related\">\n<legend class=\"zemanta-related-title\">Related articles by Zemanta<\/legend>\n<ul class=\"zemanta-article-ul\">\n<li class=\"zemanta-article-ul-li\"><a href=\"http:\/\/crooksandliars.com\/karoli\/rumbles-nixonland-over-watergate\">Rumbles in Nixonland Over Watergate<\/a> (crooksandliars.com)<\/li>\n<li class=\"zemanta-article-ul-li\"><a href=\"http:\/\/www.observer.com\/2010\/daily-transom\/e-books-demand-crazy-adjectives\">E-Books Demand Many Adjectives<\/a> (observer.com)<\/li>\n<li class=\"zemanta-article-ul-li\"><a href=\"http:\/\/www.salon.com\/opinion\/walsh\/politics\/2010\/08\/06\/glenn_beck_planet_of_the_apes\/index.html\">&#8220;It&#8217;s like the damn Planet of the Apes!&#8221;<\/a> (salon.com)<\/li>\n<li class=\"zemanta-article-ul-li\"><a href=\"http:\/\/mashable.com\/2010\/07\/30\/nixonland-enhanced-ebook\/\">Traditional Publishers Release Enhanced E-books for iPhone and iPad<\/a> (mashable.com)<\/li>\n<li class=\"zemanta-article-ul-li\"><a href=\"http:\/\/whattheythink.com\/news\/index.cfm?id=45683\">When is an e-book not a book but a DVD player? (Print CEO)<\/a> (whattheythink.com)<\/li>\n<\/ul>\n<\/fieldset>\n<div style=\"margin-top: 10px; height: 15px;\" class=\"zemanta-pixie\"><a class=\"zemanta-pixie-a\" href=\"http:\/\/www.zemanta.com\/\" title=\"Enhanced by Zemanta\"><img decoding=\"async\" style=\"border: medium none ; float: right;\" class=\"zemanta-pixie-img\" src=\"http:\/\/img.zemanta.com\/zemified_e.png?x-id=d79f05da-9061-4ef6-b6d9-b606bc6f576f\" alt=\"Enhanced by Zemanta\" \/><\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>A vastly entertaining and meticulously documented narrative detailing the fear and loathing behind the Bush-bashing bumper sticker from a couple years back: &#8220;I never thought I&#8217;d miss Nixon&#8230;&#8221; Why do the most advanced, &#8220;enhanced&#8221; ebooks already seem prehistoric? Nixonland accomplishes the crudest integration of prose with CBS news footage, so Perlstein&#8217;s roaring descriptions of Kennedy-Nixon [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-979","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/979","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=979"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/979\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=979"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=979"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=979"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}