{"id":700,"date":"2007-05-29T04:00:00","date_gmt":"2007-05-29T08:00:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2007\/05\/fabs_down_under\/"},"modified":"2007-05-29T04:00:00","modified_gmt":"2007-05-29T08:00:00","slug":"fabs_down_under","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2007\/05\/fabs_down_under\/","title":{"rendered":"Fabs Down Under"},"content":{"rendered":"<p>(<a href=\"http:\/\/www.abc.net.au\/am\/content\/2007\/s1935008.htm\" target=\"_blank\">from Tony Eastley&#8217;s show, May 28<\/a>):<br \/>\nMICHAEL ROWLAND: Sgt. Pepper was the Beatles as their fans had never seen or heard them before.<br \/>\nThey&#8217;d ditched their grey suits and ties in favour of technicolour military style uniforms, and the catchy two minute pop tunes had given way to musical experimentation on a grand scale.<br \/>\n(excerpt from song Being for the Benefit of Mr Kite!)<br \/>\nTIM RILEY: These were songs that were best suited to the recording studio, that nobody would try and reproduce these songs live. There wouldn&#8217;t be any point. The ultimate version of these songs would be the way the Beatles produced them for tape&#8230;<br \/>\n<object width=\"320\" height=\"315\"><param name=\"movie\" value=\"http:\/\/www.podOmatic.com\/flash\/flashcatcher.swf\"><\/param><embed type=\"application\/x-shockwave-flash\" src=\"http:\/\/www.podOmatic.com\/flash\/flashcatcher.swf\" width=\"320\" height=\"315\" flashvars=\"playlist_url=http:\/\/triley60.podOmatic.com\/xspf.xspf\" ><\/embed><\/object><br \/><a href=\"http:\/\/www.podOmatic.com\/podcast\/embed\/triley60\" style=\"text-decoration: none\"><font size=\"1\" face=\"Verdana, Arial, Helvetica, sans-serif\" color=\"#0033ff\"><strong>Click here to get your own player.<\/strong><\/font><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(from Tony Eastley&#8217;s show, May 28): MICHAEL ROWLAND: Sgt. Pepper was the Beatles as their fans had never seen or heard them before. They&#8217;d ditched their grey suits and ties in favour of technicolour military style uniforms, and the catchy two minute pop tunes had given way to musical experimentation on a grand scale. (excerpt [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-700","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/700","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=700"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/700\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=700"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=700"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=700"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}