{"id":693,"date":"2007-03-27T19:13:37","date_gmt":"2007-03-27T23:13:37","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2007\/03\/avoid_head_queries\/"},"modified":"2007-03-27T19:13:37","modified_gmt":"2007-03-27T23:13:37","slug":"avoid_head_queries","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2007\/03\/avoid_head_queries\/","title":{"rendered":"AVOID HEAD QUERIES"},"content":{"rendered":"<p><B><br \/>\nOR WHY WE LOVE THE TIMES<\/B> <BR><BR><br \/>\n<a href=\"http:\/\/www.timesonline.co.uk\/tol\/news\/world\/us_and_americas\/article1560529.ece\" target=\"_blank\">Houdini&#8217;s grave to be opened &#8211; but what will they find there?<\/A><br \/>\n<BR><BR><br \/>\nWhich begs the response:<br \/>\n<BR><BR><br \/>\n<a href=\"http:\/\/www.harryshearer.com\" target=\"_blank\">&#8220;Geraldo Rivera&#8221; &#8212; Harry Shearer<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>OR WHY WE LOVE THE TIMES Houdini&#8217;s grave to be opened &#8211; but what will they find there? Which begs the response: &#8220;Geraldo Rivera&#8221; &#8212; Harry Shearer<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-693","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/693","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=693"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/693\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=693"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=693"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}