{"id":691,"date":"2007-03-30T19:11:41","date_gmt":"2007-03-30T23:11:41","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2007\/03\/dads_gonna_kill_me_by_richard\/"},"modified":"2007-03-30T19:11:41","modified_gmt":"2007-03-30T23:11:41","slug":"dads_gonna_kill_me_by_richard","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2007\/03\/dads_gonna_kill_me_by_richard\/","title":{"rendered":"DAD&#8217;S GONNA KILL ME by Richard Thompson"},"content":{"rendered":"<p><object width=\"425\" height=\"350\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/fGPFDsMj_6A\"><\/param><param name=\"wmode\" value=\"transparent\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/fGPFDsMj_6A\" type=\"application\/x-shockwave-flash\" wmode=\"transparent\" width=\"425\" height=\"350\"><\/embed><\/object><BR><BR><br \/>\nAt first hearing I felt like I was eavesdropping on Shrub&#8217;s unconscious, the kind of fearful bullying that renounces both Baker&#8217;s bi-partisan Iraq &#8220;Study&#8221; Group recommendations and Gates&#8217;s pleading to close Gitmo &#8212; why get rid of Rumsfeld when his hotel managers keep raping the Geneva conventions? Then I read the lyric sheet. And that, my friends, is why mishearing certain songs amounts to poetry. Maybe now Thompson won&#8217;t have to resort to &#8220;Ding-A-Ling&#8221; for his hit.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>At first hearing I felt like I was eavesdropping on Shrub&#8217;s unconscious, the kind of fearful bullying that renounces both Baker&#8217;s bi-partisan Iraq &#8220;Study&#8221; Group recommendations and Gates&#8217;s pleading to close Gitmo &#8212; why get rid of Rumsfeld when his hotel managers keep raping the Geneva conventions? Then I read the lyric sheet. And that, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-691","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/691","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=691"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/691\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=691"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=691"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=691"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}