{"id":675,"date":"2006-12-26T04:58:03","date_gmt":"2006-12-26T09:58:03","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2006\/12\/ungently\/"},"modified":"2006-12-26T04:58:03","modified_gmt":"2006-12-26T09:58:03","slug":"ungently","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2006\/12\/ungently\/","title":{"rendered":"Ungently"},"content":{"rendered":"<p><B><br \/>\nCOLD SWEAT<br \/>\n<\/B> <BR><BR><a href=\"http:\/\/www.idolator.com\/tunes\/james-brown\/james-brown-hotpants-his-way-into-heaven-224123.php\" target=\"_blank\">Idolator<\/A> lists <a href=\"http:\/\/www.rollingstone.com\/news\/story\/10533775\/being_james_brown\">Jonathan Lethem&#8217;s Rolling Stone profile<\/a>, Ben Greenman&#8217;s New Yorker <a href=\"http:\/\/www.newyorker.com\/online\/content\/articles\/020729on_onlineonly02\" target=\"_blank\">overview<\/A>, and Douglas Wolk&#8217;s WFMU 2001 <a href=\"http:\/\/wfmu.org\/playlists\/shows\/1853\" target=\"_blank\">playlist<\/a> (somebody BURN this).<br \/>\nAlongside Jon Pareles&#8217;s big <a href=\"http:\/\/www.nytimes.com\/2006\/12\/26\/arts\/music\/26brown.html\" target=\"_blank\">statement<\/A>, I&#8217;d put Phillip Gourevitch NY unposted profile from a couple years back. Besides Milo Miles at rock.com (also unavailable), the best stuff on this human comet. <a href=\"http:\/\/www.robertchristgau.com\" target=\"_blank\">Christgau<\/a>&#8216;s all-time list springs to mind: JB, Hendrix, Beatles&#8230;. still persuasive.<br \/>\n<BR><BR><\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLD SWEAT Idolator lists Jonathan Lethem&#8217;s Rolling Stone profile, Ben Greenman&#8217;s New Yorker overview, and Douglas Wolk&#8217;s WFMU 2001 playlist (somebody BURN this). Alongside Jon Pareles&#8217;s big statement, I&#8217;d put Phillip Gourevitch NY unposted profile from a couple years back. Besides Milo Miles at rock.com (also unavailable), the best stuff on this human comet. Christgau&#8216;s [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-675","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/675","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=675"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/675\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=675"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=675"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=675"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}