{"id":674,"date":"2006-11-04T09:56:35","date_gmt":"2006-11-04T14:56:35","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2006\/11\/stumbling_upon_a_late_review_t\/"},"modified":"2006-11-04T09:56:35","modified_gmt":"2006-11-04T14:56:35","slug":"stumbling_upon_a_late_review_t","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2006\/11\/stumbling_upon_a_late_review_t\/","title":{"rendered":"STUMBLING UPON A LATE REVIEW TOO LATE"},"content":{"rendered":"<p><B><br \/>\nJUSTIN COBER-LAKE IN POPMATTERS<br \/>\n<\/B> <BR><BR>Yikes:<br \/>\n<a href=\"http:\/\/www.popmatters.com\/columns\/coberlake\/051103.shtml\" target=\"_blank\">This<\/A> is dated almost a year ago. So do I circle back and redress his weirdly regressive argument that &#8220;Be My Baby&#8221; was &#8220;driven by the sonics and fantasies of a male that benefited the bank accounts of those already in charge&#8230;&#8221;?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>JUSTIN COBER-LAKE IN POPMATTERS Yikes: This is dated almost a year ago. So do I circle back and redress his weirdly regressive argument that &#8220;Be My Baby&#8221; was &#8220;driven by the sonics and fantasies of a male that benefited the bank accounts of those already in charge&#8230;&#8221;?<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-674","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=674"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/674\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=674"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}