{"id":673,"date":"2006-10-10T08:06:16","date_gmt":"2006-10-10T12:06:16","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2006\/10\/when_you_just_cant_be_sarcasti\/"},"modified":"2006-10-10T08:06:16","modified_gmt":"2006-10-10T12:06:16","slug":"when_you_just_cant_be_sarcasti","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2006\/10\/when_you_just_cant_be_sarcasti\/","title":{"rendered":"WHEN YOU JUST CAN&#8217;T BE SARCASTIC ENOUGH"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/static.flickr.com\/32\/50002137_7ed5b6a011_o.jpg\" align=\"left\" alt=\"\"> Stewart at the Wang center last Friday night, first show, mostly brilliant, including two savvy pop jokes. 1) After the Y2K crash, the whole world devolves back to&#8230; (gasp!) 1982! &#8220;No! I can&#8217;t run like the wolf again!&#8221; 2) Why don&#8217;t Jews and blacks get along? Both oppressed minorities, blacks came up with the Blues, Jews complained without music. Except his grandmother wrote a blues: &#8220;There&#8217;s a Draft In Here.&#8221; The B Side? &#8220;Now It&#8217;s Too Hot.&#8221; The guy is having a sweet moment, incredibly relaxed, he already had a bucket of Foley jokes.<br \/>\n<BR><BR><br \/>\n<B>NOW AVAILABLE AS A PDF<\/B><BR><BR><br \/>\nLEARNING THE GAME<BR><br \/>\nOr, How John Lennon Learned to Stop Worrying and Love His Inner Geek<BR><br \/>\nPerfect Sound Forever <a href=\"http:\/\/www.furious.com\/perfect\/buddyholly.html \" target=\"_blank\"> link<\/A><BR><br \/>\nGrab the pdf <a href=\"http:\/\/mysite.verizon.net\/triley60\/LEARNING THE GAME.pdf\" target=\"_blank\"> here<\/A><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Stewart at the Wang center last Friday night, first show, mostly brilliant, including two savvy pop jokes. 1) After the Y2K crash, the whole world devolves back to&#8230; (gasp!) 1982! &#8220;No! I can&#8217;t run like the wolf again!&#8221; 2) Why don&#8217;t Jews and blacks get along? Both oppressed minorities, blacks came up with the Blues, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-673","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/673","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=673"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/673\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=673"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=673"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}