{"id":668,"date":"2006-12-19T04:20:08","date_gmt":"2006-12-19T09:20:08","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2006\/12\/how_to_tolerate_intolerance\/"},"modified":"2006-12-19T04:20:08","modified_gmt":"2006-12-19T09:20:08","slug":"how_to_tolerate_intolerance","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2006\/12\/how_to_tolerate_intolerance\/","title":{"rendered":"How to Tolerate Intolerance"},"content":{"rendered":"<p>Rosenbaum in the NY Observer: <BR><BR><\/p>\n<blockquote><p>\nHolocaust denial is a particularly insidious evil. It was almost painful to read The Times\u2019 earnest struggle to report on the Iranian Holocaust-deniers\u2019 conference in anticipation of its opening on Dec. 11. It will be fascinating to see how the rest of the media reports on this conference of \u201cscholars\u201d whose distinguished keynote speaker is David Duke, whose previous scholarly career has included a stint as a Ku Klux Klan leader&#8230; (<a href=\"http:\/\/www.observer.com\/printpage.asp?iid=13864&#038;ic=Ron+Rosenbaum\" target=\"_blank\"> more<\/A>)\n<\/p><\/blockquote>\n<p><BR><BR><br \/>\n<B><br \/>\nPHOTO OF THE MONTH<br \/>\n<\/B> <BR><BR><br \/>\n<a href=\"http:\/\/www.nytimes.com\/2006\/12\/19\/books\/19monu.html?_r=1&#038;oref=slogin\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/graphics8.nytimes.com\/images\/2006\/12\/18\/books\/MONU600SPAN.jpg\" align=\"left\" alt=\"THIS IS ART\"><\/A><br \/>\n<BR><BR><br \/>\n[see also Burt Lancaster and Jeanne Moreau in <a href=\"http:\/\/www.imdb.com\/title\/tt0059825\/\" target=\"_blank\"> The Train<\/A> (1964).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rosenbaum in the NY Observer: Holocaust denial is a particularly insidious evil. It was almost painful to read The Times\u2019 earnest struggle to report on the Iranian Holocaust-deniers\u2019 conference in anticipation of its opening on Dec. 11. It will be fascinating to see how the rest of the media reports on this conference of \u201cscholars\u201d [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-668","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=668"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/668\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=668"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}