{"id":657,"date":"2006-06-19T05:34:14","date_gmt":"2006-06-19T09:34:14","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2006\/06\/brits_ban_beatles_according_to\/"},"modified":"2006-06-19T05:34:14","modified_gmt":"2006-06-19T09:34:14","slug":"brits_ban_beatles_according_to","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2006\/06\/brits_ban_beatles_according_to\/","title":{"rendered":"BRITS BAN BEATLES ACCORDING TO YANK"},"content":{"rendered":"<p>Scott&#8217;s response to the Observer&#8217;s <a href=\"http:\/\/observer.guardian.co.uk\/omm\/\" target=\"_blank\">list<\/a>, which has some very odd bedfellows, as Brits usually do. For RCD, TMW gets sandwiched between DISCO FEVER and GLENN GOULD, which pretty much sums up my high school persona:<\/p>\n<blockquote><p>\n19. <a href=\"http:\/\/rockcriticsdaily.blogspot.com\/2006\/06\/25-more-great-or-at-least-interesting.html\" target=\"_blank\">Tell Me Why (Tim Riley)<\/A>: For all the zillion Beatle books that have been published, I think only three have mattered to me: Paperback Writer, the Ian MacDonald title chosen by the Observer, and this, a U.S. counterpart to the MacDonald book&#8211;a song-by-song rundown that is slightly more musicological (though not dauntingly so) and far less politicized. A remarkaby clearheaded listen to their records, basically.\n<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Scott&#8217;s response to the Observer&#8217;s list, which has some very odd bedfellows, as Brits usually do. For RCD, TMW gets sandwiched between DISCO FEVER and GLENN GOULD, which pretty much sums up my high school persona: 19. Tell Me Why (Tim Riley): For all the zillion Beatle books that have been published, I think only [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-657","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/657","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=657"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/657\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=657"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=657"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=657"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}