{"id":651,"date":"2006-09-18T04:23:59","date_gmt":"2006-09-18T08:23:59","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2006\/09\/deathless_equations\/"},"modified":"2006-09-18T04:23:59","modified_gmt":"2006-09-18T08:23:59","slug":"deathless_equations","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2006\/09\/deathless_equations\/","title":{"rendered":"DEATHLESS EQUATIONS"},"content":{"rendered":"<p><B><br \/>\nWHERE THE PAST PEEKS INTO THE FUTURE<br \/>\n<\/B> <BR><BR><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/archimedespalimpsest.org\/images\/imaging_k2.jpg\" width=\"200\" height=\"200\" align=\"left\" alt=\"\"><br \/>\n&#8220;Archimedes Palimpsest,&#8221; a 10th-century parchment document, has been rotting for hundreds of years, besides being erased and painted over numerous times. And lost. And rediscovered. On August 3, Uwe Bergmann, a physicist at the Stanford Linear Accelerator Center, spoke about his work at the Synchrotron Radiation Laboratory. It was a lecture that became a podcast that led me to this page, where some brighter-than-sun intense X-ray beams are now used to transcribe the Greek mathematician&#8217;s thoughts.<br \/>\n<BR><BR><br \/>\n<a href=\"http:\/\/www.archimedespalimpsest.net\/\" target=\"_blank\">Archimedes Palimpsest<\/A><br \/>\n<BR><br \/>\n<a href=\"http:\/\/en.wikipedia.org\/wiki\/Archimedes\" title=\"\" target=\"_blank\">Wiki: Archimedes<\/A><\/p>\n<p><B>WINNER: MATH AS ART<\/B><BR><br \/>\n<BR><br \/>\n<a href=\"http:\/\/www.thewalters.org\/news_art_museum\/pressdetail.aspx?e_id=3\" target=\"_blank\">Walters Arts Museum, Baltimore<\/A><\/p>\n","protected":false},"excerpt":{"rendered":"<p>WHERE THE PAST PEEKS INTO THE FUTURE &#8220;Archimedes Palimpsest,&#8221; a 10th-century parchment document, has been rotting for hundreds of years, besides being erased and painted over numerous times. And lost. And rediscovered. On August 3, Uwe Bergmann, a physicist at the Stanford Linear Accelerator Center, spoke about his work at the Synchrotron Radiation Laboratory. It [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-651","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/651","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=651"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/651\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=651"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=651"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=651"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}