{"id":645,"date":"2006-09-06T03:22:46","date_gmt":"2006-09-06T07:22:46","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2006\/09\/catching_up_wemmys\/"},"modified":"2006-09-06T03:22:46","modified_gmt":"2006-09-06T07:22:46","slug":"catching_up_wemmys","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2006\/09\/catching_up_wemmys\/","title":{"rendered":"CATCHING UP W\/EMMYS"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/www.hbo.com\/films\/mrsharris\/img\/photosandvideo\/slideshow_12.jpg\" align=\"left\" alt=\"\">Let us be frank: godless sodomites is a COMPLIMENT in this day and age, ESPECIALLY if you don&#8217;t get it. But we hasten to add: Annette Bening wuz <a href=\"http:\/\/www.hbo.com\/films\/mrsharris\/cast\/bening.html\" target=\"_blank\">ROBBED<\/A>. (And we ADORE Helen Mirren. AND Jeremy Irons.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Let us be frank: godless sodomites is a COMPLIMENT in this day and age, ESPECIALLY if you don&#8217;t get it. But we hasten to add: Annette Bening wuz ROBBED. (And we ADORE Helen Mirren. AND Jeremy Irons.)<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-645","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/645","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=645"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/645\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=645"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=645"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}