{"id":644,"date":"2006-06-23T08:27:38","date_gmt":"2006-06-23T12:27:38","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2006\/06\/jesus_loves_you_what_a_fag\/"},"modified":"2006-06-23T08:27:38","modified_gmt":"2006-06-23T12:27:38","slug":"jesus_loves_you_what_a_fag","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2006\/06\/jesus_loves_you_what_a_fag\/","title":{"rendered":"JESUS LOVES YOU WHAT A FAG"},"content":{"rendered":"


\nTAKE ME TO THE COUNTRY
\n<\/B>

\"James
\nI had read about this record, but I didn’t really expect it to be this good: James Talley’s 1975 debut Got No Bread, No Milk, No Money, but We Sure Got a Lot of Love<\/A> (reissued by Cimarron). It’s kind of heartbreaking to think how much talent slips through the system like this. He could be Merle Haggard’s cousin.
\n


\n


\n




\n
\nDON’T LICK THIS TAR-BABY
\n<\/B>

File under unfortunate headlines:
\nThe Dark Side of Chuck Berry<\/A>
(Ding-A-Ling jokes are way too obvious, kids…)
\n


\n
\nHAPSLAPPY CLICKS
\n<\/B>


\nLaLa.com<\/A> is oddly addictive, and once CDs start arriving in the mail, it renews your faith in the Hard Copy Format. It’s so well thought-through that a lot of the kinks you might expect are already non-starters.
\n


\nPopurls<\/A> has swiftly moved into a prominent position, aggregating from six different social bookmarking anchors for a quick-and-dirty look at the day’s web trends.


\nThreadless<\/A>: magnet for idle minds. Here’s mine<\/A>.<\/p>\n","protected":false},"excerpt":{"rendered":"

TAKE ME TO THE COUNTRY I had read about this record, but I didn’t really expect it to be this good: James Talley’s 1975 debut Got No Bread, No Milk, No Money, but We Sure Got a Lot of Love (reissued by Cimarron). It’s kind of heartbreaking to think how much talent slips through the […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-644","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/644","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=644"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/644\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=644"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=644"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}