{"id":638,"date":"2006-04-06T09:05:25","date_gmt":"2006-04-06T13:05:25","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2006\/04\/superfingers\/"},"modified":"2006-04-06T09:05:25","modified_gmt":"2006-04-06T13:05:25","slug":"superfingers","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2006\/04\/superfingers\/","title":{"rendered":"SUPERFINGERS"},"content":{"rendered":"<p>Tickets are still available for this Concord Chamber Music Society&#8217;s Special Artist benefit, featuring <a href=\"http:\/\/www.concordchambermusic.org\/season_2005.html#4\">Yefim Bronfman<\/A>. Here&#8217;s the scoop:<BR><\/p>\n<blockquote><p>\nFriday, April 7 @ 7:00pm<br \/>\n(Pre-concert lecture with Steven Ledbetter begins at 6:00pm)<br \/>\nConcord Academy Performing Arts Center<br \/>\n166 Main St. Concord, MA<\/p>\n<p>Fantasy, Op. 49 by Frederick Chopin<br \/>\nGaspard de la Nuit by Maurice Ravel<br \/>\nIslamey by Mily Balakirev<br \/>\nSonata Op. 27 #1 ( Quasi una Fantasia)  and<br \/>\nSonata Op. 27 #2  (Moonlight) by Ludwig van Beethoven<\/p>\n<\/blockquote>\n<p>If you haven&#8217;t heard his <a href=\"http:\/\/www.amazon.com\/gp\/product\/B00000D9Y0\/qid=1144372273\/sr=1-3\/ref=sr_1_3\/104-0256496-5801512?s=classical&#038;v=glance&#038;n=5174\">Tchaikovsky Seasons<\/A>, snag it now. My kids have wandered around the house humming his <a href=\"http:\/\/www.yefimbronfman.com\/\">Shostakovich Second Piano Concerto<\/A>, from FANTASIA 2000. And this recital includes Gaspard, so there should be lots of familiar faces and budding turks.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tickets are still available for this Concord Chamber Music Society&#8217;s Special Artist benefit, featuring Yefim Bronfman. Here&#8217;s the scoop: Friday, April 7 @ 7:00pm (Pre-concert lecture with Steven Ledbetter begins at 6:00pm) Concord Academy Performing Arts Center 166 Main St. Concord, MA Fantasy, Op. 49 by Frederick Chopin Gaspard de la Nuit by Maurice Ravel [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-638","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/638","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=638"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/638\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=638"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=638"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=638"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}