{"id":631,"date":"2006-06-03T08:33:57","date_gmt":"2006-06-03T12:33:57","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2006\/06\/mr_peabody_wags_the_shark\/"},"modified":"2006-06-03T08:33:57","modified_gmt":"2006-06-03T12:33:57","slug":"mr_peabody_wags_the_shark","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2006\/06\/mr_peabody_wags_the_shark\/","title":{"rendered":"MR PEABODY WAGS THE SHARK"},"content":{"rendered":"

Until i heard CCH Pounder on yesterday’s Fresh Air, I hadn’t realized that FX’s the Shield had won a Peabody Award<\/A>, those things they give out to Jon Stewart. This year’s list includes SOUTH PARK, Brian Williams and the whole Katrina gang, and Scully as Dedlock in BLEAK HOUSE<\/A>. But can anyone argue persuasively that David Kelley’s BOSTON LEGAL ranks with Martin Scorsese’s NO DIRECTION HOME?


\nQUOTE OF THE WEEK<\/B>


\nGuyana’s Pounder tells<\/a> TG that she’d never been called a “n*****r” until she acquired an American accent.
\n


\n
\nMARIJUANA STOCK SOARS
\n<\/B>


\nMark Caro quotes Milo Miles<\/A> about “When I’m Sixty-Four<\/A>,” just before the Big Split. The question is not how many times will Macca be asked to sing that damn song, but how many Divorce Tours it will anchor.<\/p>\n","protected":false},"excerpt":{"rendered":"

Until i heard CCH Pounder on yesterday’s Fresh Air, I hadn’t realized that FX’s the Shield had won a Peabody Award, those things they give out to Jon Stewart. This year’s list includes SOUTH PARK, Brian Williams and the whole Katrina gang, and Scully as Dedlock in BLEAK HOUSE. But can anyone argue persuasively that […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-631","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/631","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=631"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/631\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=631"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=631"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=631"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}