{"id":628,"date":"2006-05-05T09:43:07","date_gmt":"2006-05-05T13:43:07","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2006\/05\/cinco_de_mayo\/"},"modified":"2006-05-05T09:43:07","modified_gmt":"2006-05-05T13:43:07","slug":"cinco_de_mayo","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2006\/05\/cinco_de_mayo\/","title":{"rendered":"CINCO DE MAYO"},"content":{"rendered":"

blog of the week<\/B>


\nWhat Would Jesus Blog?<\/A>


\n\"Dem
\nLOVE LIKE A TRUCK
\n<\/B>

On two new releases, the Bottle Rockets make like special prosecutor’s on the country’s warrantless wire-tapping WMD-lying ass:

\nZoysia<\/A> and

\nLive in Heilbronn Germanny July 17, 2005<\/A> on which they make Neil Young’s “Cortez” lie down and beg for it.
\n


\nPS: Does anybody else remember El Chicano<\/A>? Pueblo, Colorado, 1971?
\n



\n
\nMETANEWS
\n<\/B>
\n


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blog of the week What Would Jesus Blog? LOVE LIKE A TRUCK On two new releases, the Bottle Rockets make like special prosecutor’s on the country’s warrantless wire-tapping WMD-lying ass: Zoysia and Live in Heilbronn Germanny July 17, 2005 on which they make Neil Young’s “Cortez” lie down and beg for it. PS: Does anybody […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-628","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/628","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=628"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/628\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=628"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=628"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}